A Quote by Aditi Rao Hydari
When you'e working with great actors, your performance also becomes better because you have such great energy in front of you.
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I'll say it, I love working with actors, I'm a fan of actors. They bring so much, and they can also break a movie, but when it works I give it all to the actors. I'll say it, I think that 'The Transporter' is great not because of my direction, it really is great because Jason Statham was great in it.
I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.
I love, love, love live performance. It's like walking a tightrope without the net. You better be on point; you better be balanced. You better have rehearsed it and seen it from every vantage so you can do what you do best. I do love film because it's up front in your face, and hopefully you've got a great editor.
My great joy in working on anything is stepping out in front of the camera and working with the actors.
I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.
Performance matters because games are built on great performance, but form factor and energy efficiency matter incredibly because they want to build something that's portable and transformable.
I get to play a great character while working with great actors and great directors on a great show.
The energy necessary to create a wormhole or to wrap time into nuts is incredible. It's not for us. It's maybe for our descendants who have mastered the energy of this technology. So if one day, somebody knocks on your door and claims to be your great great great great granddaughter, don't slam the door.
Depending on what your interest in theater is, I always recommend working on plays. It's a great way to be introduced to the field, and also a great way to be seen by agents and representation. I'm also a great advocate for studying acting at a drama school or a college.
You cannot judge the performance of an actor in isolation. A performance becomes good because of so many factors, including the other actors.
Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.
To go into more specifics regarding actors, whether they're from Korea or the U.S., all actors know if they are loved by the director. When they feel that love from the director, they respond by giving a great performance on camera. Also, everyone on set - the crew, the actors - they were aware of the film's message and its broad theme, so these big issues were never discussed on set.
Performing is always my biggest rush. The energy is boundless from a great crowd. I truly believe in energy as a force that is exchanged, especially in a performance situation. You give your utmost and the audience gives it back tenfold.
I love working with Scorsese. He's not only a brilliant director and is great working with actors, but he's also a walking human film encyclopedia. It's fun to talk about movies with him.
It was also great to have the Backstreet Boys appear on stage with me because I have gotten to know them all a little bit just recently, and not only are they great performers, but they also very hard working professionals and really nice guys.
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
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