A Quote by Aditi Rao Hydari

I consider myself as a director's actor, so I'm open to work with filmmakers from across the country and even abroad. — © Aditi Rao Hydari
I consider myself as a director's actor, so I'm open to work with filmmakers from across the country and even abroad.
It's funny, I don't even consider myself a rapper, I don't consider myself a designer, or even an actor. I just like creating stuff and trying to make good work, whatever it is. I don't care if it's designing toothbrushes. It's just making cool stuff to leave behind, that's all it is, it's nothing more.
I've done a lot of films that are purely live-action roles, and even if I hadn't come across performance capture as a technology, I think I'd always consider myself a sort of mercurial actor.
I'm not a famous director yet, and I'm not into fame. I like to just work. As a director, as an actor, whatever people consider me is fine with me.
Theater is about interpretation and what an actor and what a director brings to a piece too. I'm open to it every time I work with a director and a group of actors. I have to be open to that interpretation. I'm not one of those hysterical playwrights that come and say, "This is not what I intended to do." It's one rendition of the piece.
The worst is when I talk myself into something. Sometimes you take things because you want to work with a certain actor, or you want to work with a director, even if the script or the part's not that great.
I just realized that I need to be a director - for two reasons. One, directors were already my heroes at this point. I wanted to; when I wanted to be an actor I wanted to work with this director. Not work with this actor, I wanted to work for this director.
Direction is closest to my heart. I may run out of work as an actor as I get older, but I can work as a director even if I live up to be 90. I promised myself that I will direct a film every three years.
I don't particularly consider myself an actor. I have no training. I love doing it, but I would never consider myself to be a colleague of an actual actor. That would be stepping way up in class on my part.
I am blessed to live and work in [France,] a country where women filmmakers are by and large not unfairly treated. So I wouldn't have much to contribute regarding issues faced as a female director.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
I consider myself an articulate actor, and I don't consider myself a second-tier actor.
I consider myself a storyteller, not really even an actor. I consider myself a storyteller.
What I really plan to do is take the best scripts I get and consider them seriously. I can actually work as an actor and prepare a film as a director.
My mother was an actress. My father was an actor and a director. I am the son of filmmakers.
I love the variety of films. In theater, you go into a room and the director runs the room, so you all work to his or her method. On film, if an actor or an actress is in for a day or two, the director has to get out of that actor what they need, so they have to change and adapt to that actor's technique.
I don't consider myself a flashy director. A lot of times, people will look and don't even know what I do.
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