A Quote by Aditi Rao Hydari
I do not experiment very much and prefer the kind of clothes that Sabyasachi designs - they are rooted in our traditions and yet are very modern. I think it has something to do with my growing-up years and the kind of clothes I saw around me.
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Nighttime dressing is not very different from daytime dressing for me. I feel like night clothes don't get a chance to live the way day clothes do, so I prefer to think of night clothes as day clothes.
I looked pretty crazy but at the time, you don't think anything of it. You think, "I've got an amazing job. I'm working and this is cool." I remember I was being fit to go to a premiere for something at Burberry and Christopher Bailey, who designs the clothes there, saw a picture of me and I looked weird. I had short black hair, hardly any eyebrows, I looked very very thin and he went, "We need to put Douglas in a campaign." So four days later, I was shooting a Burberry campaign because he had seen me looking crazy from the show so that was kind of funny.
Fashion museums think the more you know about the significance of clothes culturally, the more interesting they are. We certainly don't neglect the aesthetic aspects of clothes. But, I feel that what sets us apart from social, economic, and even aesthetic, or art historical context is that we are not only talking about clothes as kind of art objects created by an artist designer, but also we're talking about the various meanings that clothes have in the world, and how that changes and how we kind of create meanings around clothes.
When I started to allow myself to not be locked into wearing men's clothes, things kind of opened up. It feels very kind to drape yourself in something that feels special.
I am very petite and feel that structured clothes look very flattering on me. That's why I always pick up clothes which are neat, pretty, have lace or made of soft fabrics.
I think when I was a young person, there was just kind of - there was very little dialogue about it. And there was just kind of one way to be gay, right? You saw very effeminate guys. You saw very butch women. And there was no kind of in-between. And there was no - you know, there wasn't anything in the media. There wasn't anything on television.
I see a lot of people dressing very similarly, and I see brands being cool because of their name and because of who wears the brands, but that's always been the case. That's kind of the history of fashion. You know, celebrities wear their clothes and people think these celebrities are cool, and then the clothes become valuable. It gives clothes a commodity factor once a certain individual starts wearing that brand. But do I think there's something wrong? I think what's wrong with the fashion world, particularly men's fashion, is the lack of creativity behind it.
I think I always disappoint people, because they always expect someone very pretty. Very done. There’s so much pressure to be thin, blonde and busty. I’m skinny, but even I couldn’t fit into some of the clothes in L.A! In a funny kind of way, I think you create it yourself. I think it’s much better to go with the flow and embrace your body, whatever shape it is, and just be happy.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
For years now I've kind of operated under an informal shopping cycle. A bit like a farmer's crop rotation system. Except, instead of wheat, maize, barley, and fallow, mine pretty much goes clothes, makeup shoes, and clothes (I don't bother with fallow). Shopping is actually very similar to farming a field. You can't keep buying the same thing, you have to have a bit of variety. Otherwise you get bored and stop enjoying yourself.
I saw my parents come over. They were immigrants, they had no money. My dad wore the same pair of shoes, I had some ugly clothes growing up, and I never had any privileges. In some ways, I think the person that I am now, I think it's good that I had that kind of tough upbringing.
There was a series called 'Game of Thrones' which was very popular here in the United States, a post-Tolkien kind of thing. It was garbage, yet very addictive garbage - because there's lots of violence, all the women take their clothes off all the time, and it's kind of fun.
The biggest thing that I've appreciated is that a lot of brands have stepped up and sent me stuff. As a professional runner, for many years I've been given Nike clothes. It's been kind of cool and fun to try something new and to do something that I haven't done in six years - train in non-Nike gear.
Ninety percent of our lives is governed by emotion. Our brains merely register and act upon what is telegraphed to them by our bodily experience. Intellect is to emotion as our clothes are to our bodies; we could not very well have civilized life without clothes, but we would be in a poor way if we had only clothes without bodies.
Yes, my clothes don't reflect my personality at all. Because I'm a very straightforward and serious person. My clothes are much flasher than I am. Yeh. Yeh, yeh. It's a good contrast. I don't think your clothes should reflect your personality... keep people on their toes.
Growing up, Guess always had these amazing billboards and cool affordable clothing. I wore it then, and I still wear it now! It's come full-circle. When I design the clothes, I have a very good team around me, showing me different pieces and cuts.
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