A Quote by Aditya Roy Kapur
I was never disheartened that I did not get solo hero movies.
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I don't get the action... well, I never did get the big action hero parts. I was always locked into making the kids movies, which were a lot of fun.
See, heroes never die. John Wayne isn't dead, Elvis isn't dead. Otherwise you don't have a hero. You can't kill a hero. That's why I never let him get older.
Even being a Jedi is something where you look for more. At first you acted as if Jedi was synonymous with hero. It isn't. Being a hero isn't what all these folks are here to do. They're here to do their jobs." -Jaina Solo
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
In many shamanic societies, if you came to a medicine person complaining of being disheartened, dispirited, or depressed, they would ask one of four questions: 'When did you stop dancing? When did you stop singing? When did you stop being enchanted by stories? When did you stop being comforted by the sweet territory of silence?'
I never go to movies where the hero's tits are bigger than the heroine's.
I did Kyoto and traveled through some of Japan, solo. That was a really interesting experience. I felt very safe there as a female solo traveler, and I think you always need to be conscious of that.
I’m always the same. Whether I’m solo or with Big Bang, the one thing I have to do is sing and dance. I started solo activities with the things I did well with Big Bang, and I’ll show the things I learned while doing solo through Big Bang. Wherever I go and whatever I do, I am Taeyang and Dong Young Bae.
That solo on "Lord, I'm Discouraged" in terms of notes it isn't anything like it, but in terms of aesthetic, it's direct rip-off from the "November Rain" solo. In fact, when I did it, I imagined myself walking out of a church, walking out onto a cliff and doing a guitar solo. Slash has always been one of my favorites because the guy uses a lot of melody in his solos.
I remember a song I did called 'If the Good Die Young' - I wanted to have a lead guitar solo on there, and the label flipped out! It was too rock and roll. They made us go back and put fiddle on the solo.
To be very honest, I worked harder on 'Humpty...' I did many workshops. I never did workshops in 'Main Tera Hero.'
When I was a child, ladies and gentlemen, I was a dreamer. I read comic books, and I was the hero of the comic book. I saw movies, and I was the hero in the movie. So every dream I ever dreamed, has come true a hundred times... I learned very early in life that "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bend - without a song." So I keep singing a song. Goodnight. Thank you.
Put the hero back in the super hero movies, because I think 'super' might have taken over.
Occasionally I do movies with other directors. I did 'The Diving Bell and the Butterfly' for Julian Schnabel. I did a movie with Jim Brooks ('How Do You Know'). I did a movie with Judd Apatow ('Funny People'). So I do get a chance to work with other people, which is always enjoyable, always pleasant. But still, Steven [Spielberg] makes the types of movies that I'm interested in as well.
We will never know the extent of the damage movies are doing to us, but movie art, it appears, thrives on moral chaos. When the country is paralyzed, the popular culture may tell us why. After innocence, winners become losers. Movies are probably inuring us to corruption; the sellout is the hero-survivor for our times.
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