A Quote by Adnan Sami
I remember my father playing a cassette for me when I was fifteen - Amjad Ali's 'Durga.' He said, 'This is from our part of the world. You must listen to it.' And I continued rewinding it and listening to it from early evening until midnight. By the end of it, I was nearly in tears.
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I'm going to turn fifteen tomorrow," i said, warming to the idea. "It's high time. I can't remember when i turned fourteen." (said by Max) If you get to be fifteen, then i get to be fifteen!" Iggy sounded indignant. i looked at Fang. "Wanna be fifteen?" His smile melted me. "Yeah.
I remember Prince gave me a cassette of Purple Rain. It was like 20 minutes long and he asked me to write something on it. I tried for a month and then he came to L.A. I went to see him and said, "I can't do it. It's too perfect. It's like 'Stairway to Heaven.'" He said OK and then I go, "I can keep the cassette, right?" He said, "Of course and thank you for trying."
I was fifteen when I first met Sherlock Holmes, fifteen years old with my nose in a book as I walked the Sussex Downs, and nearly stepped on him. In my defense I must say it was an engrossing book, and it was very rare to come across another person in that particular part of the world in that war year of 1915.
I don't make cocktails with whisky. I'll always drink it with a little bit of water. I love Negronis early on, but for me drinking whisky is something I do at the end of an evening. It's a midnight-to-3-a.m. drink for me.
I remember listening to Eddie Murphy's Delirious on cassette tape - you might have to explain what that is to your younger demographic - with my father. I wanted to make people laugh that hard.
What, however, left a deep impression on me was the reading of the Ramayana before my father. During part of his illness my father was in Porbandar. There every evening he used to listen to the Ramayana.
I'm too busy playing. When I'm playing I don't pay attention to who's listening. When I was listening I listened to symphony orchestras, Beethoven, Bach, Brahms, Stravinsky. You don't listen to one instrument; you listen to music.
As we watch the sun go down, evening after evening, through the smog across the poisoned waters of our native earth, we must ask ourselves seriously whether we really wish some future universal historian on another planet to say about us: "With all their genius and with all their skill, they ran out of foresight and air and food and water and ideas," or, They went on playing politics until their world collapsed around them.
I'll always remember listening to Mark Radcliffe playing Sonic Youth. I felt this instant connection, it offered me a peak behind a curtain into this world that I'd never experienced. I wanted to be part of it.
I used to smoke marijuana. But I'll tell you something: I would only smoke it in the late evening. Oh, occasionally the early evening, but usually the late evening - or the mid-evening. Just the early evening, midevening and late evening. Occasionally, early afternoon, early mid-afternoon, or perhaps the late-midafternoon. Oh, sometimes the early-mid-late-early morning. . . But never at dusk!
I remember Chris Cooper saying to me - I was doing October Sky with him - and he said, "You know, you're just yelling at me." He's like, "You're just yelling. You need to listen." We were in a fight, and you know, oh you'd get so excited as an actor, you're like, "We have a fight, oh, I get to get mad." And he just said, "You need to listen." And I started listening - and then all of a sudden where I was listening was where, I don't know, anger became something else.
I remember seeing Richard Pryor's first movie; it was a midnight movie when I was in high school. I must have been about fifteen. It was one of the most cathartic experiences of my life. I'd never laughed that much.
Remember what I said about the mosquitoes?" "Which part" asked Maggie. "The scary part, the really scary part, the legitimately terrifying part, or the part that makes suicide sound like an awesome way to spend the evening?
When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.
A father must lead his children; but first he must learn to follow. He must laugh with them but remember the ache of childhood tears. He must hold the past with one hand and reach to the future with the other so there can be no generation gap in family love.
To call it an anticlimax would be an insult not only to climaxes but to prefixes. It's a crummy secret, about one step up the ladder of narrative originality from It Was All a Dream. It's so witless, in fact, that when we do discover the secret, we want to rewind the film so we don't know the secret anymore. And then keep on rewinding, and rewinding, until we're back at the beginning, and can get up from our seats and walk backward out of the theater and go down the up escalator and watch the money spring from the cash register into our pockets.
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