A Quote by Adolf Anderssen
It is ... impossible to keep one's excellence in a little glass casket, like a jewel, to take it out whenever wanted. On the contrary, it can only be conserved by continuous and good practice.
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The commonest error made in relation to poetry is that it consists simply in verse-making. Many confound the casket of meter and rhyme with the jewel of thought which it encloses, and, perhaps, in some instances, after close investigation, they have found the casket empty and turned away with feelings of disappointment and disgust.
It is impossible to keep spiritual peace if we do not take care of the mind, that is if we do not drive out thoughts that are displeasing to God and, on the contrary, keep thoughts which are pleasing to God. It is necessary to look into the heart with mind and see what is done there. Is it peaceful or not? If not, then find out in what you have sinned.
I wanted to change the rules of engagement, asking for more- from fewer. I was insisting that we had to have only the best people...If you wanted excellence, at a minimum, the ambience had to reflect excellence.
It was an impossible ask to go out to Russia and knock out Kovalev. I felt that was the only way I'd win, but I made a good account of myself and we keep moving onwards and upwards.
Excellence is THE trend of the '80s. Walk into any shopping mall bookstore, go to the rack where they keep the best-sellers such as Garfield Gets Spayed, and you'll see a half-dozen books telling you how to be excellent: In Search of Excellence, Finding Excellence, Grasping Hold of Excellence, Where to Hide Your Excellence at Night So the Cleaning Personnel Don't Steal It, etc.
One of my constant reminders was, "End practice on a happy note." I wanted the boys to want to come out to practice, and I wanted them to get a certain amount of pleasure out of basketball. It's a game. It should be fun. So I always tried to counterbalance any criticism in practice with a bit of praise. I wanted my players to feel that the worst punishment I could give them was to deny them the privilege of practicing. If they did not want to practice, I did not want them there.
The problem was how to keep the wheels of industry turning without increasing the real wealth of the world. Goods must be produced, but they must not be distributed. And in practice the only way of achieving this was by continuous warfare.
I'm kind of proud of that little record! I mean I've heard about a million other records that have come out since then by all these groups around here and there and I really like 'Little Johnny Jewel'.
The only way to get out of mediocrity is to keep shooting for excellence.
Our world hangs like a magnificent jewel in the vastness of space. Every one of us is a part of that jewel. A facet of that jewel. And in the perspective of infinity, our differences are infinitesimal.
Whenever we come back from another project, we're always so stoked to see each other and play with each other again. I really feel like that's been the key to why we're still together as a band. I remember a period five or six years ago feeling a little burnt out and wasn't sure whether I wanted to keep doing it.
When you go out with a drunk, you’ll notice how a drunk fills your glass so he can empty his own. As long as you’re drinking, drinking is okay. Two’s company. Drinking is fun. If there’s a bottle, even if your glass isn’t empty, a drunk, he’ll pour a little in your glass before he fills his own. This only looks like generosity.
Continuous practice, day after day, is the most appropriate way of expressing gratitude. This means that you practice continuously, without wasting a single day of your life, without using it for your own sake. Why is it so? Your life is a fortunate outcome of the continuous practice of the past. You should express your gratitude immediately.
Tenacious practice, practice, practice is crucial for excellence; rote repetition is underrated in America.
Beautiful colours can be bought in the shops on the Riatlo, but good drawing can only be bought from the casket of the artist's talent with patient study and nights with out sleep.
It was only in South Africa that I got over this shyness, though I never completely overcame it. It was impossible for me to speak impromptu. I hesitated whenever I had to face strange audiences and avoided making a speech whenever I could. Even today I do not think I could or would even be inclined to keep a meeting of friends engaged in idle talk.
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