It used to be that I could talk to someone in Texas and nobody would hear about it. Now, the moment I open my mouth it's all over the world. The second I say something, guys in Germany know about it. It's basically a wonderful thing because more information is spread, but you have to keep your mouth shut.
I appear African-American, so it's not until I start talking that people go, 'Hold on, there's something not right here.' But it's an awesome conversation starter. I open my mouth, they get curious, and I say, 'Got a few minutes? Have a seat.'
You say what you want to say when you don't care who's listening. If you're grasping to get your own voice, you're making a strained attempt to talk, so it's a matter of just listening to yourself as you sound when you're talking about something that's intensely important to you.
The secret to writing sound effects is having a room you can be alone in, trying to make the sounds yourself, and seeing what comes out. It's similar to if you're writing a character talking with their mouth full: the only way I know to transcribe that is to stuff my fist in my mouth and write down what sounds I make when I try to talk.
People do not seem to talk for the sake of expressing their opinions, but to maintain an opinion for the sake of talking.
Keep your mouth shut, and close up the doors of sight and sound, and as long as you live you will have no vexation. But open your mouth, or become inquisitive, and you will be in trouble all your life long.
When I hear what we call music, it seems to me that someone is talking. And talking about his feelings, or about his ideas of relationships. But when I hear traffic, the sound of traffic - here on Sixth Avenue, for instance - I don’t have the feeling that anyone is talking. I have the feeling that sound is acting. And I love the activity of sound... I don’t need sound to talk to me.
I would never talk just to be social. Now, to sit down with a bunch of engineers and talk about the latest concrete forming systems, that's really interesting. Talking with animal behaviorists or with someone who likes to sail, that's interesting. Information is interesting to me. But talking for the sake of talking, I find that quite boring.
Coaches? They can talk. I tell them: 'Just make sure before you open your mouth you've researched what you're about to say. Don't just say stuff. And if you don't have anything good to say, don't say anything.'
I was a weird kid because I liked to be alone, but I craved attention. It was important for me to be cool, but I couldn't keep my mouth shut. So I was either talking for the sake of talking, or I was curled up with a book somewhere hiding from everyone.
I'm lucky. As soon as I open my mouth, people see I know what I'm talking about, and when I leave the room, I think most say, 'She's OK.'
I don't talk for the sake of talking and I don't talk with a forked tongue.
If you have a good idea, open your mouth and say something else.
People are so afraid of hearing "No" that they often don't even try. You have nothing to lose by just asking! A good friend of mine once told me, "Harv, a closed mouth won't get fed." Open your mouth! Say something if negotiations aren't going the way you'd like.
We are articulate, but we are not particularly conversational. An Englishman won't talk for the sake of talking. He doesn't mind silence. But after the silence, he sometimes says something.
Her mouth was open, as if she wanted to say something, and I wanted to kiss her to show her that sometimes you don't need words. Sometimes they only get in the way, and you end up talking yourself out of things you need. People you want.