A Quote by Adolf Loos

All art is erotic. The first ornament to have been invented, the cross, was of erotic origin. It was the first work of art. A horizontal stroke: the woman lying down. A vertical stroke: the male who penetrates her.
All art is probably erotic in its ultimate character, but painting more than anything else is a purely nervous erotic activity.
I do not deny that I have made drawings and watercolors of an erotic nature. But they are always works of art. Are there no artists who have done erotic pictures?
In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.
I stroke it to the East, and I stroke it to the West, and I stroke it to the woman that I love best. I be strokin'.
That experience of touching down in a totally foreign place is like having a blank canvas: You begin with nothing, but stroke by stroke you build a life. This process requires everything great art requires-risk-tasking, hope, a great deal of imagination, all the qualities that are the building blocks of art. You must be able to dream something nearly impossible and toil to bring it into existence.
For, though the origin of most of our words is forgotten, each word was at first a stroke of genius, and obtained currency, because for the moment it symbolized the world to the first speaker and to the hearer. The etymologist finds the deadest word to have been once a brilliant picture.
A woman who becomes famous through her work reduces her erotic value. A woman is permitted to chat or babble, but speaking in public with authority is still the greatest transgression.
In the books by Ruy-Sanchez we find again the erotic conviction that allows us to read with all the skin. The erotic, in his narratives is not a subject or a phrase, it is the clay of what they are made. In his novels every experience, trivial or extraordinary, breaths through the erotic.
Art and religion have the same origin. Art first, or religion first? Maybe consciousness first! Consciousness always comes with religious feeling and artistic identification. It's the same origin.
If an artist does not have an erotic involvement with everything that he sees, he may as well give up. To be a human being may a very messy thing, but to be an artist is something else entirely, because art is religion, art is sex, art is society. Art is everything.
All art is erotic.
This process of change since my stroke has been very gradual. It is going on all the time... It is partly a physical transformation. The body itself is undergoing great changes. My problem before was that I was living largely from the head; and then after the stroke I got down into the heart.
The erotic and the art historical imagination is something that gets very little play when people talk about my work, and when they rarely do, they try to problematize it.
I could bring you so much pleasure, erotic, erotic, put your hands all over my body.
If I've got to have a stroke or a heart attack, I'd rather have a heart attack. I don't think that's the only reason I campaign for the Stroke Association, but a stroke would be a terrible thing.
I jumped at the chance to be a part of Stroke Recovery Canada. I want to help March of Dimes Canada in its efforts to support stroke recovery and improve the quality of life of all Canadian stroke survivors.
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