A Quote by Adolfo Bioy Casares
The body is imaginary, and we bow to the tyranny of a phantom. Love is a privilege perception, the most total and lucid not only of the unreality of the world but of our own unreality: not only do we traverse a realm of shadows; but ourselves are shadows.
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How does life become totally painful By total retreat. Total noninspection becomes total pain.But existence is basically composed of a very few truths onto which have hung a great many artificialities and which man has adorned with enormous numbers of lies. And man is prisoner of his own shadows. Now one of the things you can do with man is to get him to look up and find out that he can look through the shadows and look at the shadows and find out what they are.
An optimist is a person who sees only the lights in the picture, whereas a pessimist sees only the shadows. An idealist, however, is one who sees the light and the shadows, but in addition sees something else: the possibility of changing the picture, of making the lights prevail over the shadows.
The shows of the day, the dewy morning, the rainbow, mountains, orchards in blossom, stars, moonlight, shadows in still water, andthe like, if too eagerly hunted, become shows merely, and mock us with their unreality.
I only had the right to sit in the shadows of the world,in complete silence. Whether I was laughed at, or told I was discusting, or thought of as unpleasant I would sit in the shadows.
John [Cassavetes] had shot a great deal of Shadows and I had to go fulfill my contract in California, so he and all the rest of the Shadows cast came out to California and they finished it off and he cut it. He turned the garage into an editing room and he was by then a director of Shadows. That's the only thing he'd directed. But, he loved it.
The institutions of college athletics exist primarily as unreality fueled by deceit. The unreality is that universities should be in the business of providing large spectacles of mass entertainment. The fundamental absurdity of that notion requires the promulgation of the various deceits necessary to carry it out.
Illusions are shadows moving endlessly across the ground. The shadows are quite real but they're shadows. They have very little substance.
Men throw huge shadows on the lawn, don't they? Then, all their lives, they try to run to fit the shadows. But the shadows are always longer.
Shadows in shadows He watches through dreams Wings black as Africa Body strong as stone Done waiting The ravens call.
The only thing you fear is the unreality that you yourself have invented.
Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
Such reciprocity is the very structure of perception. We experience the sensuous world only by rendering ourselves vulnerable to that world. Sensory perception is this ongoing interweavement: the terrain enters into us only to the extent that we allow ourselves to be taken up within that terrain.
Many men spend their lives in gazing at their own shadows, and so dwindle away into shadows thereof.
The dream is real, my friends. The failure to realize it is the only unreality.
[In Bali] life is a rhythmic, patterned unreality of pleasant, significant movement, centered in one's own body to which all emotions long ago withdrew.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
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