A Quote by Adria Arjona

I was so nervous that this was 'True Detective' and that I needed to do a good job that I would just dig into every scene. — © Adria Arjona
I was so nervous that this was 'True Detective' and that I needed to do a good job that I would just dig into every scene.
I am still nervous every show. Not in the "Wow, I'm scared, I can't go on nervous," but the "I really want to do a good job and the give the audience a great show" kind of nervous. Oh, yes, the nerves are there, but I let them push me instead of holding me back.
I've never been nervous. I just wanted to play and have a good time. If it didn't work, then I would get nervous. But, for the most part, I just go for it.
I enjoy setting the scene and coming up with interesting frames. 'True Detective' was a very hands-on set.
I'm a firm believer that if you're nervous before you go into a scene, it means the scene is going to be good, and it means you're invested in making something special.
I would be lying, if I said that sometimes it is just a job that you show up for because you're getting paid, and that's important, too. But, if you can be in a state of mind where you enjoy your job, whether it's just a job, or it's actually cathartic for you, or it's something personal. I think it would be much easier to be content with doing a good job.
THE WICKED + THE DIVINE is unlike True Detective as: it features women who do things. THE WICKED + THE DIVINE is like True Detective as: we shamelessly rip off huge chunks of stuff from Alan Moore.
I was nervous about a Corbyn government, although I would have supported it because a lot of the policies were good. I was far more nervous of a Conservative government but here it is, we've just got to deal with it.
Well we took it apart scene by scene. We examined every sentence, every full stop, every comma. He has a most wonderful eye for detail, Roman, and you know, he's a very good artist.
I don’t think I would ever want to be a writer of detective stories - but I would like to be a detective and there is a large deal of detection in the short story.
Sometimes my feelings get so big that I just want to swim out into the darkness. Just jump off the end of the world. Sometimes I want to dig, right down to the bones of everything. Sometimes when you dig, you dig up stuff you might not want to find. But that’s where the good stuff lies.
Every scene in 'Ganga Jamuna' has been spellbinding for me. I can see the film any number of times and still not be able to pinpoint a scene and say 'This is the best scene!' Every scene is perfect.
You really can't do a remake. I mean, 'King Kong' needed its turn to be remade. It needed an update. But the 'Bad News Bears,' or 'The Shaggy D.A.,' those are classic movies. I think they did a good job of remaking them, but it's just not the same thing. Nobody can top Tatum O'Neal. It just isn't the same.
I couldn't just be good on the mic. I needed to be good on the mic; I needed to be good in the ring; I need to be good in my presentation; my ring attire need to look good, my appearance. Everything about me needed to be the best. I couldn't be weak in any area because you're only as good as your weakest aspect.
I would have been a lot more nervous if I would had known that Matthew McConaughey was [on 30th Annual Television Critics Association Awards] and Julia Louis-Dreyfus was there and all that, and I was like, "Wait a minute and Bryan Cranston's here..." I think I would have got more nervous. But I think thinking it was just like, "Oh yeah critics, we're good." It was great.
The private detective of fiction is a fantastic creation who acts and speaks like a real man. He can be completely realistic in every sense but one, that one sense being that in life as we know it such a man would not be a private detective.
'True Detective' would not pass The Bechdel Test.
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