A Quote by Adrian Belew

DUST includes rarities, demos, unreleased songs and instrumentals, live recordings, and more. — © Adrian Belew
DUST includes rarities, demos, unreleased songs and instrumentals, live recordings, and more.
I really write at home on my own, and the demos themselves are very similar to the final recordings in a lots of ways.
For years I never had the courage to bring my written songs out. I had so many unreleased English songs.
I'd done recordings, little demos, since I was in college, which I used to get gigs. But I never thought I'd have a record label.
I love Arthur Rubinstein, especially his live recordings. I think his Chopin Mazurkas, his interpretation of the Polonaises, and the Concertos of Chopin are just incredible. When I was a child, I wanted to play more and more Chopin because of his recordings.
There is a definite difference between live shows and the recordings. The recordings are for all time, hopefully, so you do want to bring across layers of subtlety. But the live show is this primal experience that everybody's having at the same time, that the recording can at best try to imitate or duplicate.
When I was doing 'In the Heights,' I was the co-music supervisor for 'The Electric Company' on PBS, so I was writing songs all day, doing the show, staying up until 3 A. M. Writing more songs, recording demos in the intermission in my dressing room.
When we make demos of our songs, we do our demos in English - the whole song's in English.
I must have 300 songs unreleased or unrecorded, lying around. I'm a production machine, it never stops.
Writing the songs is always emotional and most of the vocals on there are the first three takes from the demos, because they give so much more. You're in that moment, so it speaks for itself.
Throughout the '50s, tons of unknown locals came through Sun to record their demos. Elvis Presley, Johnny Cash, and Jerry Lee Lewis all made their first recordings at the former Memphis Recording Service.
I love nothing more than to perform my songs in front of a live audience. And whatever I'm doing is driven toward finding or writing songs and putting out hit songs that drive people coming to see me live. Because, at the end of the day, that's what I enjoy the most.
Gather out of star-dust, Earth-dust, Cloud-dust, Storm-dust, And splinters of hail, One handful of dream-dust, Not for sale.
Throughout college I was getting better and better at making recordings, producing songs, making different kinds of beats. I was starting to learn the signifiers of production from the '60s, the '80s. We never re-recorded anything. All the record companies that wanted to sign us - except for one - were excited about the recordings that we had done ourselves.
In all this world there is no substitute for personal integrity. It includes honor. It includes performance. It includes keeping one's word. It includes doing what is right regardless of the circumstances
One of the greatest live recordings, I think, in the history of the world is Ray Charles in Atlanta... And they didn't even have a big mobile recording thing set up. The word on the street was they only had like two microphones, one for the band and one for him. Perfect recordings. I think it's mono.
If I think about the way I was drawn into the music, it was much more by recordings than by live performances.
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