A Quote by Adrian Belew

King Crimson is never easy; it's challenging. That's why I like it. — © Adrian Belew
King Crimson is never easy; it's challenging. That's why I like it.
Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things.
Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.
King in Crimson is actually an alchemical term. King Crimson is a metaphor for Devil or Satan, but at the same time it's also a metaphor for one of the statures in the purification of man and the purification of mankind soul towards union with God and with Infinite, which is the philosophical aim of alchemists.
In the earlier novels, Steve King tells us that John Farson, and perhaps even the Crimson King himself, are but other names and faces that belong to Walter O'Dim. However, in The Dark Tower, he tells us very clearly that Walter, John Farson, and the Crimson King are actually separate individuals.
When music appears which only King Crimson can play, then, sooner or later, King Crimson appears to play the music.
And the marvellous rose became crimson, like the rose of the eastern sky. Crimson was the girdle of petals, and crimson as a ruby was the heart
I like 'Discipline.' That's my favorite King Crimson album.
I wanted people to say that our music sounds like Porcupine Tree, not that it sounds like King Crimson.
I listened to a lot of King Crimson back in the day.
King Crimson will soon be touring parts of Europe.
I was spending all my time at the 'Crimson' - like, 70 hours a week - and I didn't go to class for, like, a year. I failed out of school. I had to leave Harvard, really, halfway through my tenure as the 'Crimson' managing editor. It was this incredibly humiliating and shocking experience.
Part of the criteria for doing a project is that it's scary or challenging because at some point you go, 'It's too scary; it's too challenging. I don't want to do it.' But things that seem easy are never any fun.
There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, 'Velouria'] - 'Sounds like someone's been taking singing lessons'. Like, motherf**king A! I am the singer. Who do sing SONGS. It's like I never sang before; like I was - I don't know - reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
My first cassette was 'Synchronicity,' and my first CD was U2 'War' and King Crimson 'Discipline.'
When I was growing up, I was always looking for the most willfully uncommercial music: Whether it was Captain Beefheart or Frank Zappa or King Crimson, that's what attracted me.
She’s easy to like. I’ve never understood why that’s considered a compliment - that just anyone could like you.
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