A Quote by Adrian Dunbar
I try and speak out on things that affect where I live in London, and at home in Enniskillen. For instance, I am very keen we get our bypass - the town is completely clogged with traffic and it's one of the most beautiful inland towns in Ireland.
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My dad grew up in Banbridge, Northern Ireland, desperate to get to London. I grew up in London, so I don't know what it's like to yearn for the big city from a small town.
I was filming a movie in London, and I drove through Ireland. It was quite beautiful, and the countryside was really remarkable. The contrast between the countryside and Ireland, and the murals there, with Northern Ireland still being a part of the United Kingdom, there's just a stark contrast in those two things. And I found that the art that came out of the conflict was really spectacular because it was about remembering either events or points of view for local neighborhoods, or the rallying cries of one side against the other.
I am in a space now where I can try anything; and with Pink Floyd we've always been in a space where we were able to try out anything. I think we were very young then and we were very keen to experiment and try things out. It seems to me that this sort of experimenting is like working yourself towards something and trying to find what you like and what you want.
I'm not very keen on ageing. I'm not keen on the physical decay. I probably am quite vain. I think you want to try and look OK for the benefit of other people.
I just don't identify myself with a place. I just don't get it. Like, why am I cheering for this town? Towns are good and bad but they don't have principles, constitutions. You wouldn't go to war for your town.
I am at home in many cultures. I live actively in three continents and I've done that for most of my life, so I just make films as I see the world, and that happens to speak to people. I do things that I want to do.
The most disgusting, appalling horror of our world that we live in, to me, is sex trafficking and the enslavement of men and women, boys and girls, in the sex industry. That is the most horrific, horrific thing that's happening and it's happening in all of our towns here in Los Angeles, in New York, in London, in Paris, all over the world, and I think that's really what has to be addressed.
I don't like bad mouthing towns and just thinking that I live in such a great place. I mean, I would hate to live in a small town and have a public persona say, "That town sucks." I would really not want to hear that.
After almost exactly three hours, we rolled into a small hole of a town that had one traffic light and a resturant simply marked DINER. There hadn't been any traffic on the road for over an hour, though, which was really the most important thing. We hadn't been followed. Sydney drove us to a building with a sign that read MOTEL. Apparently this town liked to stick to the basics when it came to names. I wouldn't be surprised if it was actually just called TOWN.
In Hamburg, there are three major orchestras, an opera house, and one of the great concert-hall acoustics in Europe at the Laeiszhalle, in a town a fifth the size of London. And that's not unusual. In Germany, there are dozens of towns with two or three orchestras. The connection with music goes very, very deep.
I can make my living out of Ireland, but the reason I came to London was that I felt I'd gone as far as I could go in Ireland.
My first record was made in Termonfeckin, which is a small town on the north-east coast of Ireland. I had been in London, but it didn't click. So, at home, I didn't think about making something, just whether something could be made. There was no grand plan.
Being blunt with your feelings is very American. In this big country, I can be as brash as New York, as hedonistic as Los Angeles, as sensuous as San Francisco, as brainy as Boston, as proper as Philadelphia, as brawny as Chicago, as warm as Palm Springs, as friendly as my adopted home town of Dallas, Fort Worth, and as peaceful as the inland waterway that rubs up against my former home in Virginia Beach.
One of the things that's wonderful about having a festival in a small town like Enniskillen is that we don't have lots of purpose-built venues so we have to be creative about where we place events.
People who haven't ridden in trains don't know what they're missing. It's not like an airplane. You get to see the countryside, the beautiful country we live in. Unfortunately, our railroads have dwindled in passenger traffic.
The Kings played out of the Memorial Community Centre, an old wooden barn like you'd see in other Prairie towns. It was built after World War II and the Kings were the biggest thing in town. The Memorial was packed for every game - maybe 3,000 when we'd play the Kenora Muskies or other rival towns. It seemed like everyone in town came out to games.
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