A Quote by Adrian Dunbar

You really can't pigeon hole yourself into one particular artistic area any more; the days of one vocation in the arts have long gone. — © Adrian Dunbar
You really can't pigeon hole yourself into one particular artistic area any more; the days of one vocation in the arts have long gone.
It's very important, when everyone else seems to be pigeon-holing you, to try and pigeon-hole yourself.
If you can't pigeon-hole yourself, who can you pigeon-hole?
The world fears a new experience more than it fears anything. Because a new experience displaces so many old experiences. . . . The world doesn't fear a new idea. It can pigeon-hole any idea. But it can't pigeon-hole a real new experience.
You pigeon hole yourself by the title you give yourself.
I had a hole in my voice. I still do. We call it a hole, but it's an area in the voice where it's air. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in the middle area, it was really hard.
I certainly very much enjoy acting, but I am open to anything really. I think it's important when you have those moments in life when you are not attached to something, and you are not quite sure what the next phase of your journey is going to look like, that you don't pigeon-hole yourself.
I remember, when I was young, to have a literary or artistic vocation was really dramatic because you were so isolated from the common world. You felt that you were marginal, and if you dared to try to organise your life around your vocation, you knew you'd be completely segregated.
[On gay men:] Let me say, a more artistic, appreciative group of people for the arts does not exist ... They are more knowledgeable, more loving of the arts. They make the average male look stupid.
I think what you feel like as a teenager never really goes away. If you were teased for being fat or thin or having bad teeth, you're always insecure about that particular area of yourself. So I've never thought of myself as any kind of beauty, iconic or otherwise.
I think that a lot of the time I don't go for something in particular. I see what comes to me, I filter it out. I never really strive to play a particular character or do a particular genre of film. As long as it's a good script and a great range of people and my character is really interesting I can't see any reason not to do it.
When I was 10, my parents really valued success in the arts, and I thought if I was a famous 'something artistic,' that they would love me more.
There's a long-standing (50 year old) flame war within the field over whether it's "sci-fi" or "SF".SF has traditionally been looked down on by the literary establishment because, to be honest, much early SF was execrably badly written - but these days the significance of the pigeon hole is fading; we have serious mainstream authors writing stuff that is I-can't-believe-it's-not-SF, and SF authors breaking into the mainstream. If you view them as tags that point to shelves in bricks-and-mortar bookshops, how long are these genre categories going to survive in the age of the internet?
...Nameless, unknown to me as you were, I couldn't forget your voice!' 'For how long?' 'O - ever so long. Days and days.' 'Days and days! Only days and days? O, the heart of a man! Days and days!' 'But, my dear madam, I had not known you more than a day or two. It was not a full-blown love - it was the merest bud - red, fresh, vivid, but small. It was a colossal passion in embryo. It never returned.
I've tried to put myself in every position possible to be able to catch the football. Until you challenge yourself at a particular catch, or a particular area of the field to make a particular catch, you would never know if you can make that catch.
Ere long the most valuable of all arts will be the art of deriving a comfortable subsistence from the smallest area of soil. No community where every member possesses the art can ever be the victim of oppression in any of its forms.
... We have quite a large area, and that makes it more fun for us - certainly more satisfying, because it doesn't restrict us to one particular idea or one particular style. The result, I think, is pretty interesting ... we don't expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top. As long as we can play, we'll play, regardless of what it's for, who it's for or anything. It's fun for us - that's the important thing.
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