A Quote by Adrian Dunbar
It would help a lot of directors if they tried a little bit of acting, so they can understand what the process is about. It certainly wouldn't do them any harm.
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It certainly helps, I think, with some actors to understand the process of acting. You see what extraordinary pressure they're under, there's a huge circus dedicated to a particular moment and they're got to deliver and it can help that you, even if empathetically alone, understand what they're doing.
When I started doing advertisements, I really enjoyed the whole process of shooting, and I realised that I could do the little bit of acting required quite easily. My directors also told me that I have a flair for acting and that I should polish it and try for films. Then I thought I probably had it in me - why not give it a shot?
I always cast people with a sense of humor because people that are super serious don't understand when I ask them to eat a booger it's not necessarily about that. It's about something more. It's about inviting a little bit of absurdity into the process and humanity into the process. Making sure that no matter who we are and what sort of pedestal or glamorous lighting we're under, we're all eating boogers man.
I want to help people understand themselves a little bit better, to stop being so critical and judgmental of themselves, and to help them understand why they are going through some of the difficult things in their lives.
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
I certainly try to avoid getting bogged down in forensics. There is certainly a whole lot of other writers who know a lot more than me about it. I know enough about it to do a little bit of background on laboratory techniques and stuff. But it kind of bores me.
Coaching is something I really would do. A lot of people don't think I'm serious about it. I like working with the kids. When you work with the guys one-on-one and get them to understand it's a little bit better. That's the way I was taught by Tim Grgurich. That's how he taught us.
An absolute being would be irrelevant to the world, as it couldn't create it. Any action, or causal process that would involve them, would make them relational. An absolute is the opposite of relative. So that's easy to understand, however, even though we understand that intellectually, which is very important to do, you don't transform yourself completely, yet.
Whenever an actor was going to die, I tried to help them understand not to take it personally. It wasn't about them. It's the story.
There are so many female directors coming into the industry and a lot of them have important stories they want to tell that seem to fall a little bit more on the indie level.
The thing I like about college football so much is you can affect these guys a lot more when they are 18-22, 23 years old in terms of people and having a chance to be more successful. They are still a value type development, where you have a chance to help them mature a bit and help them be a little more successful in life.
I understand the formula that producers hire directors and directors are hired to direct and actors are hired to act. I don't have any conflict with any directors because I know they're the boss.
They say it's like true love, good help. you only get one in a lifetime.....there is so much you don't know about a person. i wonder if i could've made her days a little bit easier, if I'd tried. if i'd treated her a little nicer.
I think all of us who kind of live within the sport recognize that Davis Cup certainly could be a little more visible if perhaps there were some adjustments made to it, and it was made a little bit more easy to understand for the fans, if there's a little bit more of a start and finish line.
We should certainly not be perpetuating further harm to others or to the environment. Suppose that workers at ExxonMobil are trying to unionize. We have two choices: to help them improve their lives, or to keep away so that their lives will be worse. Neither choice has any effect on use of fossil fuels. So radical organizers can both help them unionize and improve their lives, and convince them to find a different way to survive and work for ending the use of fossil fuels.
My writing has to excite people and depict or include their experiences. That's part of my process - to go out and interact with people. It's very much like an archival process. I understand that the Brothers Grimm would go out and get people talking so they could document folk tales that weren't being documented any other way. I try to offer a little bit of myself - some experience from my life that evokes stories in other people.
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