A Quote by Adrian Edmondson

You're entering dangerous land when you start theorising about comedy. — © Adrian Edmondson
You're entering dangerous land when you start theorising about comedy.
And what terrifies me is that we're entering a phase where if you start to speak about this as something that can be understood historically - without any sympathy - you are going to be thought of as unpatriotic, and you are going to be forbidden. It's very dangerous. It is precisely incumbent on every citizen to quite understand the world we're living in and the history we are a part of and we are forming as a superpower.
Substances like LSD, which give away a secret about the nature of the social game - the human game and what underlies it - are potentially dangerous, of course, like any good thing is. Electricity is dangerous, fire is dangerous, cars are dangerous, planes are dangerous, but not so dangerous as driving on the freeway. The only way to handle danger is to face it. If you start getting frightened of it, then you make it worse. Because you project onto it all kinds of bogeys and threats which don't exist in it at all.
It's one thing to break stuff and damage people's possessions, but when you start aiming at the ideology of America, that's dangerous comedy.
But you can't start. Only a baby can start. You and me - why, we're all that's been. The anger of a moment, the thousand pictures, that's us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can't start again.
The thing about art for me is that you can go on theorising your work forever, because it's open to interpretation.
I think the most important thing about learning comedy is to start from who you are. If you begin the process by imitating what you perceive to be a comedy rhythm, you will get laughs sooner, but you will not be unique.
But I do feel a little teeny right now that I'm just about ready to start, and winter is entering. Half past autumn has arrived.
It's dangerous talking about comedy; it gets to be very tedious and presumptuous.
We are entering an increasingly dangerous period of our history. But I'm an optimist.
The road to conservation is paved with good intentions that often prove futile, or even dangerous, due to a lack of understanding of either land or economic land use.
I think what's dangerous [about comedy] is that you're coming into the room announcing your intentions.
Struggle and survival, losing and winning, doesn't matter. It's entering the race that counts. You enter, you can win, you can lose .... but it's all about entering the race.
The one place where I do think our culture today has to be extremely careful is this whole thing about illegal aliens. Because any time you start defining a significant block of the population as 'others,' or as less than you, you start getting into dangerous waters.
I'm hugely negative, so if a joke doesn't land it takes me a long time to get over it. If something doesn't go well I go dark in my head. Basically I start thinking it should be illegal for me to be doing comedy.
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
If we no longer judge the content of people's actions, but merely their form, then we are entering dangerous times indeed.
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