A Quote by Adrian Hodges
I think there's an element in Milady where she sees her own innocence in D'Artagnan. In the very beginning, she's using him in a pretty cynical way. When she gets to know him, she sees qualities in him that she recognizes and it's almost like trying to remake the past, but of course, it doesn't work.
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There's really quite a beautiful marriage between Milady's ingenuity and D'Artagnan's immaturity. When they first meet, she's trying to frame him. She's using him for a certain reason. They haven't just met by coincidence. She's singled him out for a reason. She knows that she can almost make D'Artagnan do what she wants to, and that's when D'Artagnan's immaturity comes out.
Sometimes a woman's love of being loved gets the better of her conscience, and though she is agonized at the thought of treating a man cruelly, she encourages him to love her while she doesn't love him at all. Then, when she sees him suffering, her remorse sets in, and she does what she can to repair the wrong.
She was in a terrible marriage and she couldn't talk to anyone. He used to hit her, and in the beginning she told him that if it ever happened again, she would leave him. He swore that it wouldn't and she believed him. But it only got worse after that, like when his dinner was cold, or when she mentioned that she'd visited with one of the neighbors who was walking by with his dog. She just chatted with him, but that night, her husband threw her into a mirror.
She looked at him then, but his image blurred behind tears that swelled into her eyes. She must leave. She must leave this room, because she wanted to hit him, as she had sworn she never would do. She wanted to cause him pain for taking a place in her heart that she wouldn't have given him if she'd known the truth. "You lied to me," she said. She turned and ran from the room.
And this, incidentally, is my thumbnail sketch of American marriage: A woman sees a man; she likes him. Now she jumps on this thing and rides it to some kind of standstill. Then she changes it and trains it, and to the exact degree that she's able to do this, she disrespects him.
I watched the way Hillary Clinton talk now about how lovely everything is and how wonderful she is. It doesn't work that way. She was after him, she was trying to - she even sent out or her campaign sent out pictures of him in a certain garb, very famous pictures. I don't think she can deny that.
but she realized that she wanted him to know her. She wanted him to understand her, if only because she had strange sense that he was the kind of man she could fall in love with, even if she didn't want to.
She rested her head against his and felt, for the first time, what she would often feel with him: a self-affection. He made her like herself. With him, she was at ease; her skin felt as though it was her right size.. It seemed so natural, to talk to him about odd things. She had never done that before. The trust, so sudden and yet so complete, and the intimacy, frightened her.. But now she could think only of all the things she yet wanted to tell him, wanted to do with him.
Now that she decided she knew exactly what she wanted –him- she couldn’t wait to break the news. And if he didn’t want her, she could live with that – what she wouldn’t be able to live with was if she never told him.
She saw him the first day on board, and then her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him.
He was making her feel small and absurdly petulant and, worse yet, she suspected he was right. She always suspected he was right. For a brief irrational moment, she wished she could walk away from him. Then she wished, more rationally, that she could love him without needing him. Need gave him power without his trying; need was the choicelessness she often felt around him.
And, like a fool, she kissed him back. Kissed him a way that would leave no doubt about the way she felt about him. Kissed him because she knew the chances were slim she'd have very many kisses like that in her lifetime. Which is a sad thing when you're only seventeen.
Elektra met Matt, and she fell in love with him. And I think he brought some good out of her at some point in her life, and maybe she wants to figure out, by coming back to him, who she really is. She comes back because she misses him, and she's alone, and the only person she's ever loved is Matt.
It was so enticing from the beginning to be this woman who was entrenched in The Flash's world. She's not there to just tell him what a great job he's doing, she's also there to push him further and help him to be the best that he can be. She's often the first person to be a little bit skeptical of him, which is kind of nice. She really challenges him.
In the silence, she felt the past and the present shift and mix, but that was a mirage. There was no way to comfort the lost boy he'd been back then. But she had the grown male. She had him right in her arms, and for a brief moment of whimsy, she imagined that she was never, ever going to let him go.
As she came closer to him she noticed that there was a clean fresh scent of heather and grass and leaves about him, almost as if he were made of them. She liked it very much and when she looked into his funny face with the red cheeks and round blue eyes she forgot that she had felt shy.
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