A Quote by Adrian Lewis
If you can beat Phil Taylor in the longer format you can beat anyone.
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When Phil Taylor is in the field - no matter whether it's tiddlywinks or the world championship at Alexandra Palace - he is the man to beat.
The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.
The minute anyone makes you feel weird and non-included or not supported, you know, either beat it or tell them to beat it.
You beat him verbally. You beat him mentally, and then finally, you beat him physically. That's the three ways to beat a man.
When you use a metronome, you'll start to notice where the notes are falling, if they're on the beat, behind the beat, between the beat, and so on.
I need someone to be like, 'I can beat Bert in a marathon.' And then my Mickey Mantle genes will kick in and I'll start going, 'No you can't. You can't beat me, because I'll beat myself.'
Songs used to be short, then they became longer, and now they're getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, you've got a hit.
All I really want is a beat from Kanye West. I've met him, and I think he's real cool with us. If I get that beat, I'm going to rap the best verse I ever dropped - even if it's his worst beat.
In football we always said that the other team couldn't beat us. We had to be sure that we didn't beat ourselves. And that's what people have to do, too - make sure they don't beat themselves.
Songs used to be short, then they became longer, and now theyre getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, youve got a hit.
'In the nineteenth century, we beat the British more than once,' Afghans often told me. 'In the twentieth century, we beat the Russians. In the twenty-first, if we have to, we'll beat the Americans!'
I grew up in the traditional American newspaper world with a morning paper and an afternoon paper competing with each other beat by beat by beat. It was the most fun I've ever had. And it was great for journalism.
Every now and then there might be a beat someone turned down that I have as an unused beat. But everything that predominantly matches the artist in my 30 years of doing this, it was me walking in and sitting there with no drums, no samples, no nothing, and making a beat on the spot.
A lot of times, you beat a person who beat a person who can beat you. I mean, it doesn't make any sense.
People are always going to say, 'Who's he beat? He's only beat Cowboy.' So what you're trying to tell me is Cowboy is a nobody? Cowboy will be remembered as one of the greatest fighters of all time. And I beat him in one round.
You must walk to the beat of a different drummer. The same beat that the wealthy hear. If the beat sounds normal, evacuate the dance floor immediately! The goal is to not be normal, because as my radio listeners know, normal is broke.
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