A Quote by Adrian McKinty
'The Man in the High Castle' is still the best what-if-the-Axis-had-won novel.
Related Quotes
'The Man in the High Castle' was not the first alternative history novel, nor even the first Nazis-win-the-war novel, but it is still probably the most influential book in the genre.
By this time, half the people in High Norland were gathered in Royal Square to stare at the castle. They all watched with disbelief as the castle rose slightly into the air and glided toward the road that led southward. It was hardly more than an alley, really. "It'll never fit!" people said. But the castle somehow squeezed itself narrow enough to drift away along it and out of sight. The citizens of High Norland gave it a cheer as it went.
Syria is still the foundation of the axis of evil, and I'm not sure it's appropriate to transfer Israel's northern front to the axis of evil.
A screenwriter heard me read from my novel 'The Wishbones' when it was still in progress and mentioned me to some producers in Hollywood. They called, and I told them I had a novel in my drawer about a high school election that goes haywire. They asked to take a look, and my life changed pretty dramatically as a result.
You can do more with a castle in a story than with the best cardboard castle that ever stood on a nursery table.
Every man deserves a castle; doesn't matter how big your castle is.
The rich man in his castle, The poor man at his gate, God made them, high or lowly, And order'd their estate.
'The Man In High Castle' is one of Dick's most imaginative and captivating works, and certainly one of my favorites.
I'm constantly pitching one episode where we see life through Castle's eyes. I think Castle's just a little off as far as his perception goes. A very, very clever man, but I want to see the world as Castle sees it - kind of a rose-colored glasses, all the women find him irresistible, all the guys find him super cool and do whatever he says.
The axis today is not liberal and conservative, the axis is constructive-destructive.
Every novel is like this, desperation, a frustrated attempt to save something of the past. Except that it still has not been established whether it is the novel that prevents man from forgetting himself or the impossibility of forgetfulness that makes him write novels.
Monsieur Puss came at last to a stately castle, the master of which was an Ogre, the richest ever known; for all the lands which the King had then passed through belonged to this castle.
No man knows where the Castle of King Death is. All men and women, boys and girls, and even little wee children should so live that when they have to enter the Castle and see the grim King, they may not fear to behold his face.
To write a novel may be pure pleasure. To live a novel presents certain difficulties. As for reading a novel, I do my best to get out of it.
I wouldn't like to live in a castle now, but I'd enjoy a visit to Restormel in Cornwall in its 13th century prime. It's a circular castle with the rooms built against the outer walls and quite intimate in size. Life there wouldn't follow the pattern of more classic castle design.
I went abroad to Malaya and came back and tended naturally to gravitate towards the south, I suppose, near London where things seemed to be going on; but I'm still a Lancashire man, and what I want to write someday is a novel about Manchester. Very much a regional novel.
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