A Quote by Adrian McKinty
Sometimes the fantasy writers set their novels in an ancient Earth, sometimes a parallel Earth, or, quite often, they offered no explanation at all as to the temporal and geographic location.
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Earth walks on Earth, Glittering in gold; Earth goes to Earth, Sooner than it wold; Earth builds on Earth, Palaces and towers; Earth says to Earth, Soon, all shall be ours.
The Earth is the Lord. Everybody walks on the earth. And nobody respects the Earth. Everybody who walks on the earth, shits on the Earth. Spits on the Earth. Don't respect the Earth. So the Earth didn't like it. So the Earth call for a revolution. And the earth is fighting back. The Earth call for a revolution. The Earth call for justice. And the Earth get justice. 'Cause the Earth release ganja. The Earth release herbs.
I think when comic book fans hear parallel dimensions or multiple dimensions they think of Earth 616 and Earth 617 and Earth 618. That's all possible.
There are writers you admire, for the skill or the art, for the inventiveness or for the professionalism of a career well spent. And there are writers-sometimes the same ones, sometimes not-to whom you are powerfully attracted, for reasons that may or may not have to do with literary values. They speak to you, or speak for you, sometimes with a voice that could almost be your own. Often there is one writer in particular who awakens you, who is the teacher they say you will meet when you are ready for the lesson.
I have an almost entirely written correspondence with a few friends of mine who are really busy. We exchange quite long and sometimes quite whimsical, sometimes quite meaningful, sometimes silly letters.
Smile O voluptuous coolbreathed earth!
Earth of the slumbering and liquid trees!
Earth of departed sunset! Earth of the mountains misty-topt!
Earth of the vitreous pour of the full moon just tinged with blue!
Earth of shine and dark mottling the tide of the river!
Earth of the limpid gray of clouds brighter and clearer for my sake!
Far-swooping elbowed earth! Rich apple-blossomed earth!
Smile, for your lover comes!
I do like to work. Some jobs are better than others. That's the thing: You really don't know. I've enjoyed making movies for lots of different reasons. Sometimes, it was the other people. Sometimes, it was the fact that I was really good in it. Sometimes, it was the location. Sometimes, it was the paycheck.
The relation between what we see and what we know is never settled. Each evening we see the sun set. We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.
I've done that quite often, but I've got to be quite honest... as much as you would want to only do one at a time, sometimes projects overlap and there's nothing you can do. Sometimes you to have begin writing a new project just as you're finishing off another.
Because we were orbiting the earth faster than earth spins on its axis, we went around the earth 16 times a day, an earth day, which meant 16 periods of lightness and 16 periods of darkness in 24 hours. Every so often you'd look towards the earth, and often you could see lightness and darkness together, and dawn and sunset were spectacular.
Humanity lived many years and ruled the earth, sometimes wisely, sometimes well, but mostly neither.
In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated.
Think about what would happen if Indiana Jones and Google Earth had a love child. I use high-resolution and NASA satellites and look for subtle differences on the surface of the earth that locate buried ancient pyramids and towns and ancient tombs, which we then go and excavate.
Sometimes the Earth trembles; sometimes you can feel it breathe.
And that, quite simply, is the issue. We live in a finite world with finite resources. Although it may sometimes seem quite big, earth is really very small - a tiny blue and green oasis of life in a cold universe.
I often talk with other actors about that time when you've just finished a job, because I think you do take on the characteristics of some of the characters you play. Sometimes it can be a great thing and sometimes it's a bit haunting because you're not quite sure how to leave it on set. My dad talks about it as being 'de-personalised.'
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