A Quote by Adrian Mitchell

Stadium rock and commercial rock are the opposite of what poetry needs. An audience of around 200 is ideal for poetry. — © Adrian Mitchell
Stadium rock and commercial rock are the opposite of what poetry needs. An audience of around 200 is ideal for poetry.
Speaking of people I had to exclude: Hank Williams. which is to say, songs are part of lyric poetry in my book, my thinking. In fact they are the urgent element of poetry in our time, they carry the most emotion for the most people in our culture. everyone LOVES poetry, because we all love (one form or another) of rock and roll (be it folk to emo to rap). It's all rock and roll and all lyric poetry.
There is an idealism associated with poetry I would not dispel but question. It doesn't change anything except within. It shifts your insides around. Poetry is not going to reach the numbers of people by which we commonly consider a large audience. It just isn't a stadium-filler. It could still galvanize people during a crisis, but let's just say there are two points at which poetry is indispensable to people - at the point of love and the point of death. I'll second that emotion.
I came into music because I thought the presentation of poetry wasn't vibrant enough. So I merged improvised poetry with basic rock chords.
I came into music because I thought the presentation of poetry wasn't vibrant enough. So I merged improvised poetry with basic rock chords. That was my original mission.
I'm not really a musician. I'm a performer, and I love rock n' roll. I've embraced rock n' roll because it encompasses all the things I'm interested in: poetry, revolution, sexuality, political activism - all of these things can be found in rock n' roll.
I use rock and jazz and blues rhythms because I love that music. I hope my poetry has a relationship with good-time rock'n roll.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
Someone had asked me who I thought was better, John Cena or Rock. I said Rock needs a teleprompter. Rock needs a writer to write all his stuff.
The young people have MTV and rock and roll. Why would they go to read poetry? Poetry belongs to the Stone Age. It awakens in us perceptions that go back to those times.
The landscape everywhere, away from the river, is of rock - cliffs of rock; plateaus of rock; terraces of rock; crags of rock - ten thousand strangely carved forms.
I'm not a rock star writing poetry. I don't feel like a rock star and I don't know what one is, actually. I'm a goalie/poet or a hotel guest/poet or a father/poet.
I've embraced rock 'n' roll because it encompasses all the things I'm interested in: poetry, revolution, sexuality, political activism - all of these things can be found in rock 'n' roll. But I am also engaged in all of these things separately.
Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys.
I always wrote like rock 'n' roll. And I always listen to rock 'n' roll as poetry.
I myself have never called what I write anti-poetry. I also think that my poetry should not be only known as the poetry of Ernesto Cardenal but rather as Nicaraguan poetry.
No matter what though, there's always rock & roll. There's rock 'n' roll in hip-hop, there's rock & roll in pop music, there's rock 'n' roll in soul, there's rock 'n' roll in country. When you see people dress and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock & roll. Everybody still wants to be a rock star.
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