A Quote by Adrian Pasdar

Part of the reason a hit show is a hit show is because of the people - good, solid, decent people. — © Adrian Pasdar
Part of the reason a hit show is a hit show is because of the people - good, solid, decent people.
It's a whole series of accidents that makes a show into a hit. A show can be fantastic and still not be a hit. You just have to hit the Zeitgeist at the right moment, and there are so many factors that you're not in control of.
There are some commercial artists that have number one after number one, and you go to their show, and the show's one-note. Yeah, they're all hit songs. But there's no emotion, because they're the same kind of hit songs, because they're what works at radio. That kills live shows for me.
Rebuilding a network is a slow, brick-by-brick process. It's not just creating a hit show - it's building shows to back up that hit show; it's creating an identity of success so that people want their shows on your network.
Be good to people, be kind to people, show up, read the lines, hit the mark, and go home.
I think once 'Empire' hit, there was a lot of bad black TV that followed, because we work in the business of hit-seekers and copycats, so they're like, 'Oh this is a show about black people; this is about music, OK let's do a version of that.' And, of course, it doesn't work because it's not organic.
America is immature as a nation, and part of the reason why 'Hung' is a hit show is because it deals with that immature side of the male brain where we are kind of comparing ourselves to the rest of the world.
We're dependent on buying overseas productions and television shows. A lot of the time they come in packages, I think. You take the hit show and you take a couple of other unloved children that they want to get rid of along with the hit show.
We think that the world is a solid, vivid place, full of shape and colour and solid objects like this table and this microphone and so on, but we actually create that in our heads out of the bits of information that hit the back of our eyeballs or hit our eardrums or hit our tongues or whatever.
In New York, I get people coming up to me because 'The History Boys' was such a hit on Broadway, and they show the film all the time on cable over there, so people recognise you.
Every show on television has a downward trend because there are so many more things to watch. You can only deal with what is the benchmark of a hit series and 'Survivor' clearly remains a hit series.
The Howard Stern Show is a big hit because it entertains dumb and smart people at the same time for different reasons.
If you're hit with a lawsuit that's untrue and the reasons you're hit with it aren't clear to you, there's a very big inclination on people's part to want to take responsibility for it - that this must be happening because I'm a terrible person, I did something, and I'm getting repaid for it.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
Never had a hit movie or hit TV show or hit record. I just had visions of doing the best quality of music. Now there is a place for me because Frank Sinatra is dead. They want me to play the music. If it wasn't for that, I wouldn't be noticed. The only satisfaction is that I do what I do well. That's the only lawful satisfaction.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
But when you get to know a character so well, you start to have insights that you can't show because you're confined to your script of your hit show.
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