A Quote by Adrian Smith
When you're used to seeing someone being coldly efficient on court and suddenly they go on stage and into your world - it's fascinating.
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Being able to go to someone's house and have dinner with them and their family, being able to go see a movie with them, or go shopping, it makes you really care for someone and hope that they succeed. That means a lot in an on-court relationship. It creates trust.
The whole idea of being mesmerized and not in control of your own actions is fascinating and a little spooky. I remember hearing about someone who'd gone to a magic act, and a person in the audience had become hypnotized by observing too closely what magician was doing on stage, and thought it was spooky to lose your consciousness that way.
It was so fascinating to be a part of this, because as the women took on these central roles that had all the good lines, therefore all the good laughs, all the great moments- the men, who had joined us to sit on stage, started squirming rather uncomfortably. And got really bored. Because they weren't used to being the supporting cast. It was fascinating to feel their discomfort, to discuss it with them afterwards when they said, 'It's boring to play the girl role.' And I said, 'Yeah. Yeah, ya think? Welcome to our world.'
You have as much computing power in your iPhone as was available at the time of the Apollo missions. But what is it being used for? It’s being used to throw angry birds at pigs; it’s being used to send pictures of your cat to people halfway around the world; it’s being used to check in as the virtual mayor of a virtual nowhere while you’re riding a subway from the nineteenth century.
When you use the form of a novel, and you say 'I,' you are also saying 'I' for someone else. When you say 'you,' you are simultaneously in your room writing and in the outside world - you are seeing and being seen seeing, and this creates something slightly strange and foreign in the self.
I used to get nervous just going to the stage door, seeing people waiting to talk to me. I was afraid of being caught out in some way or not being right.
There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
I am so used to being up on stage and talking to my fans that it's strange to be on stage and be someone else. I can't look at the audience during 'In the Heights' or I will start talking to them.
I find these dramas fascinating - it's a world that many of us fortunately don't dip into. The legal system is all around us, but the majority of us don't have to go into a court, so it's a way into another world that is unusual.
Sometimes it happens that you become one, in some rare moment. Watch the ocean, the tremendous wildness of it--and suddenly you forget your split, your schizophrenia; you relax. Or, moving in the Himalayas, seeing the virgin snow on the Himalayan peaks, suddenly a coolness surrounds you and you need not be false because there is no other human being to be false to. You fall together.
The most fun moments are being on the stage and seeing how the crowd reacts to your music. The energy of the crowd that makes you just want to go in and keep doing it and be a part of this forever.
To me there's nothing more fascinating than a roomful of young people just trying to look at the world and seeing how they can affect it as they're being affected by it.
I actually found contracting malaria in the Congo fascinating. Observing your body under attack from this microorganism and seeing how it responds is simultaneously fascinating and awful but maybe that's just because I'm a former biology teacher.
Being able to write jokes is great, but you still have to get used to performing them and being on stage - and enjoying being on stage, not just like tolerating it.
A movie is a diamond and suddenly someone is seeing this facet or that facet. No matter how good you think you are, there's stuff you're not seeing.
I was full of energy, and I had a lot of bottled up rage that would come out in my stage performances. It was therapy sessions for someone who couldn't afford to go to therapy, a way to release my frustration, my inhibition. When I was little, growing up in an abusive household, I felt like I didn't have a voice. Suddenly I was on stage and people were watching me and listening to me, so even if I was singing about something that didn't have to do with abuse, when I was on stage I could express all of the anger, the rage.
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