A Quote by Adrian Tomine
I was just taking my sketchbook to Kinko's and making photocopies and hand-assembling them - folding them over and stapling them.
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The elderly are all someone's flesh and blood and we cannot just shut them in a cupboard and hand over the responsibility for taking care of them to the state.
No ideas are harmed in the making of my books, by the way. All I do with my best ideas is run with them, fast as I can, taking notes and occasionally suggesting a left hand turn rather than the right hand one which might have taken us both over a precipice.
It comes down to taking care of the people in your program and making them the best they can be-not giving up on them and never failing to be there for them.
I love the theater as much as music, and the whole idea of getting across to an audience and making them laugh, making them cry - just making them feel - is paramount to me.
And I add my own love to the history of people who have loved beautiful things, and looked out for them, and pulled them from the fire, and sought them when they were lost, and tried to preserve them and save them while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.
Really, we're just taking people and shifting them from taking photos anyway to taking them on 'Instagram'.
My standards are higher than they used to be, I think. They don't necessarily have to make sense, but I certainly work on them a lot harder now -- partly because I do them on the computer, and I print them out and fix them, and print them and fix them over and over again, whereas in the early days I used to just scratch down a few things on a piece of paper.
We're just taking people and shifting them from taking photos anyway to taking them on Instagram.
You know what I like to do? I love waking up early, making them breakfast, taking them to school, having time in the morning with them. With six kids, it's like a reality show.
marrows - alas! - are arriving in a steady stream at the back door. ... Oddly enough, the majority of people who grow them in Fairacre say, as they hand them over: 'Funny thing! I don't care for them myself. In fact, none of the family likes them!' But still they plant them. It must be the fascination of seeing such a wonderful return for one small seed, that keeps marrow-growers at their dubious task.
I start out making my paintings for me. I don't see it as a form of communication. Until, of course, after they are done and I want people to see them. And want them to be recognized. But while I am making them I just try to get lost in them. Kind of like it's a prayer.
My belief is that we were put into this world of wonders and beauty with a special ability to appreciate them, in some cases to have the fun of taking a hand in developing them, and also in being able to help other people instead of overreaching them and, through it all, to enjoy life - that is, to be happy.
The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.
The tourist may complain of other tourists; but he would be lost without them. He may find them in his way, taking up the best seats in the motors, and the best tables in the hotel dining-rooms; but he grows amazingly intimate with them during the voyage, and not infrequently marries one of them when it is over.
I started natural farming after the war with just one small plot, but gradually I acquired additional acreage by taking over surrounding pieces of abandoned land and caring for them by hand.
My approach to making music has always been making ideas and developing them. Sometimes I develop them all the way by myself. The other part of development is I will work with my friends who are just some of the best producers in the world, give them an idea.
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