A Quote by Adrian Tomine
For a lot of the time I was in Berkeley, I was single. I was living in a kind of collegiate apartment by myself - it was like a protracted summer vacation. So at least in hindsight, I have gloomy emotions attached to Berkeley, whereas I started coming to New York because I was dating someone, and it was very exciting and romantic.
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I liked Berkeley tremendously, Berkeley was a very leftist campus. I came to love that city as much as I love Paris or the south of France or New York.
I like living in Berkeley, but I know Berkeley's not the world.
I have a bunch of friends at the University of California at Berkeley, so that's always a fun drive. Last summer I took five road trips to Berkeley. It's so beautiful. I like to take the scenic routes and make stops along the way.
I feel very happy to be living in Berkeley because there are a lot of people who are politically active here.
I was in Berkeley when the food energy in America was in Berkeley. Then it moved to Los Angeles, and I went to Los Angeles. It moved to New York, and I went there.
Selling your apartment in New York is like dating a manic-depressive.. you get used to cycles of elation and despondency. Every time someone would come to see the apartment, there was the thrill of the date. You want to be presentable, so you clean the place up, make sure it smells good, put on some mood lighting and mellow music.
One [New York] eatery is a remodeled diner that looks like what Busby Berkeley would have done if only he hadn't had the money.
I started my career as a liberal arts major from Berkeley, wrote about enterprise IT for a few years, then followed my passion for the digital narrative into graduate school as well (also at Berkeley, the Oxford of the West or, perhaps, the Harvard - sorry Stanford!). My first project out of grad school was 'Wired' magazine.
When I came to Berkeley, I met all these Nobel laureates and I got to know that they were regular people. They were very smart and very motivated and worked very hard, but they were still humans, whereas before they were kind of mythical creatures to me.
I think that I was lucky to have that period of time [ like coming to New York] because everything was so exciting and new.
The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.
We started Airbnb because, like many across the U.S. and in New York, we were struggling to pay our rent and decided to open up our living room to fellow artists coming to town for a design conference. Sharing our apartment allowed us to stay in our home and start our company.
New York is more exciting, I guess, than even Paris or London. New York's the center of something; I don't know what, really - the center of a lot of things. With all its problems and chaos and craziness, it's still a great place to live. I can't see myself living anywhere else.
When I started coming to do shows in New York, New York had a pretty electric energy then. It was the early-nineties, and there was a lot of really fun theatrical types that were designing, and so the runway kind of became this stage for all of these mega model personalities to flaunt their stuff.
In L.A., it's so sunny out all the time that even though I'm working all day I have this illusion that I'm on some kind of vacation. New York is so condensed and exciting but you stay there too long and all that turns into anxiety a little bit. It's nice to escape here and there.
I think I can work anywhere, but you don't get the same kind of inspiration everywhere. New York theater has become a big inspiration for me. I only started writing for the stage myself because I like to see the good, mostly off-Broadway plays in New York.
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