A Quote by Adrian Tomine
I started my career so early and developed in print for better or for worse, so I think there's a sense some of my earliest readers are kind of copilots on this voyage with me.
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It would be quite unusual for me to get deep into a project and then shitcan it. One of the advantages of having done this for a while is that I have a better sense than I used to of when something is or isn't working. Until I developed that sense, this was a pretty dicey career for me, both in terms of paying the rent, and emotional wear and tear.
I think for me, I get so much love that it balances or overpowers the hate. When I started making music, it was kind of flawless for me. I didn't get any hate early in my hip-hop career.
I had a gold medal in olympics at 12. At 14 or 15 I had my career set before me. Because I started so early, I had this daily training. It developed a focus. It became so natural that it was like a native language for me to play chess. That's why I didn't feel pressure.
My parents read to me a lot as a kid, and I started writing very early, probably spurred on by Aesop's fables. Then they gave me The Lord of the Rings way too early for me to fully understand what I was reading, which was actually kind of cool. It was almost better - comprehension's overrated when you're reading.
I loved seeing my name in print, I loved seeing my words in print. I felt really privileged to be in the kind of company I was in at Esquire, but I didn't think it was going to launch a career as a top-notch journalist. It's just not what I wanted.
Started an early career with Seattle, came straight in and they gave me a chance to play early.
I started playing golf when I was just out of college and starting my career with KPMG. I took a few lessons, and my husband has always loved to give me pointers - for better and for worse! I realized that you could really enhance relationships by being on the course with clients. In fact, my very first golf game was with some clients.
Ever since I was a teenager, I always had a very strong sense of my own personal style. Kind of for better or for worse - actually I don't think it's ever been for worse. The way that I dress has always been a pretty accurate reflection of my personality and my life.
I used to do a lot of interviews in the early '80s, when my career started, but it came to a point when I decided I didn't want to talk anymore, and people kind of understood that and left me alone.
The problem I have with socialist utopias is there's some kind of committees trying to soften outcomes for people. I think that imposes models of outcomes for other people's lives. So in a spiritual sense there's some bit of libertarian in me. But the critical thing for me is moderation. And if you let that go far you do end up with a winner-take-all society that ultimately crushes everybody even worse.
My childhood, adolescence and high school days are unusually important. If there has ever been a time that I developed a uniqueness and sense of humor and the ability to organize, it was then. In those early days, I developed the skills that gave me a certain degree of success in American politics.
I think we got started like all bands. We wanted to make some noise, hang out, and have some fun. Remember, we're from Buffalo - there isn't really that much to do. When we started we were a cover band and slowly developed our own material.
I think the only reason I've had the career life that I've had is that someone told me some secrets early on about living. You can do the very best you can when you're very, very relaxed, no matter what it is or what your job is, the more relaxed you are the better you are. That's sort of why I got into acting. I realized the more fun I had, the better I did it. And I thought, that's a job I could be proud of. It's changed my life learning that, and it's made me better at what I do.
I think I've put in some work and I've fought some tough guys early in my UFC career in order for me to get in that spot of being on the main card.
I think most people aren't really privy to how stories are developed and what stories are - make it to the front page or to the mainstream media, whether it's in print or in broadcast. And I think they'd be shocked and disappointed to see some of the bias that exists in some of the stories that don't get told - or the manner in which they are told.
I do sense, as compared with let's say the early '50s, there's somewhat more of a careerism. I don't think it's anything special to economics; it's equally true with physics or biology. A graduate education has become a more career-oriented thing, and part of that is because of the need for funding. In fact, that's a much worse problem in the natural sciences than it is in economics. So you can't even do your work in the natural sciences, particularly, and even to some extent in economics, without funding.
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