A Quote by Adrian Tomine

There's a part of me that feels like it gets really frustrating to keep working in the manner that I made the book 'Shortcomings,' where everything is pretty accurate to the real world.
I'm just happy to know that no part of me thinks that I made it. Everything in me says you need to keep going, keep working.
I have people say that they love how I keep them off balance as to what is real or not real about pretty much everything I write. I think it's an accurate description of how I feel every day. I can't tell what's real and what's not anymore. I think that's what makes art.
I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.
If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.
On the real, because you're dyeing your hair so much, it gets really damaged, so you just want to use a lot of products that help hydrate it and keep it nice and keep it moisturized. It gets really, really dry.
In my safe corporate job, I might have made one decision of real significance a year. As an entrepreneur, it feels like I'm making a decision every minute - I have lots of balls in the air, and so yes, sometimes I drop one or two. And for the most part, the balls are made of rubber and they bounce. So instead of carrying one ball very carefully, being worried that I might not be holding it at exactly the right angle, I am juggling hundreds, and I have to remind myself to appreciate all the balls I keep up in the air for every one that gets dropped.
The beauty of the world of Unbreakable is that you're playing it for reality. It should never feel like a comic book movie. It feels like a straight-up drama. It's real. You're confronting the possibility that comic book characters were based on people that were real.
It hurts more than anything in the world because even though it might not be the case, it feels like you've chosen your child over me. 'I haven't there is no choice. She's part of me. You're part of me too. It's like...I don't know...asking me to pick between my heart and my lungs.' 'I know, but the thing is, you are my heart and my lungs. You're everything to me. And what hurts is that I know i used to be everything to you.
I'd thought I'd constructed a really wonderful book, and the teacher told me that my story basically began on page fifty, and that I should throw out everything prior, or figure out a way to weave only the most important information back into the story, and keep the action moving forward. Wow. That was a really humbling experience. A real eye-opener. Made me realize there are so many aspects involved with telling a story.
I don't think anyone really gets used to being recognized around the world. It kind of feels like a videogame at times, especially with paparazzi and people following you and things of that nature. But it's part of who I am now.
I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.
To me, it feels like every time I'm watching some trans story, it's about their grief around their gender. And there's not really a lot of opportunity for them to explore stories outside of that. It's just really frustrating. It's really one dimensional.
Just leaving the brotherhood I have made at Georgia, the staff and all my coaches. They've prepared me for the real world. I'm really going to miss that. But I feel like they've prepared me for the real world, to be a man.
Considering all that's happened in my life, I feel like I'm a pretty levelheaded person that has remained happy and not let my shortcomings overtake the better part of me. I'm fulfilling the things I wanted to fulfill, and I'm still sane.
Everything I've ever taught in terms of self-help boils down to this - I cannot believe people keep paying me to say this - if something feels really good for you, you might want to do it. And if it feels really horrible, you might want to consider not doing it. Thank you, give me my $150.
I have my eye on everything that's of the moment. All the dances, I can do everything that they're currently doing but still keep it smooth. So, I really made it something you can dance to in the summer time but keep it comfortable. You're going to be fly but you don't have to sweat hard and at the same time the song is real sexy.
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