A Quote by Adrian Tomine
The most impactful comics that I've read are the ones where the artists swung for the bleachers and tried to immerse you in their world.
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More and more, I tried to make comics in the way I like to read comics, and I found that when I read comics that are really densely packed with text, it may be rewarding when I finally do sit down and read it, but it never is going to be the first I'm going to read, and I never am fully excited to just sit down and read that comic.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
Man, I don't read books! I just read a bunch of 'Walking Dead' comics. I don't even read comics, but zombies are something I just can't get enough of.
I don't care how people read their comics, I want them to read comics. I don't care if they read them on an iPad or a phone or in store, I just want them to read comics.
Comics have always helped people to read. A lot of people learned to read by reading the comics. And it's our livelihood, after all. If people don't know how to read, they're not reading our comics.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers.
Most comics are not truly rebellious or creatively free. Most comics, paintings, music, etc., are derivative of other, more successful works. And it's quite often that those without much rebellious spirit are the ones to imitate it. Genuine radical expression is hard to come by, but it usually crops up when money is not a motivating factor. You can take all the liberties you want when someone else's dime is not at stake. The validation is not a threat to comics. A far greater threat to the creative freedom of artists working in any medium is self-consciousness and self-censorship.
For 'Luke Cage,' of course, I was familiar with Power Man and Iron Fist. I read the comics. That was really more stuff that you read for fun. It wasn't that you read either of those comics for profound moments, although they have profound moments.
In the world of comics, Jack Kirby and Will Eisner may have been more influential artists, but Joe Kubert was its most influential man. Even if he were to be remembered solely for his body of illustration work, he’d still be one of the greats, but by opening the Kubert School in 1976, he was able to personally mentor and educate literally thousands of successful artists who owe their careers to his teachings.
I do still read comics since I started writing for DC, but nowhere near as much as I used to, and I'm finding now that it's becoming harder to read comics as a consumer, so I think I'll have to make the call there and stop reading them.
When I started writing comics, 'comics writer' was the most obscure job in the world! If I wanted to be a celebrity, I would have become a moody English screen actor.
It's too bad for us "literary" enthusiasts, but it's the truth nevertheless -- pictures tell any story more effectively than words . . . If children will read comics . . . why isn't it advisable to give them some constructive comics to read?.
I loved all books that I could read, and I never knew if I was ready for it until I tried to read it, so I tried to read everything.
I grew up on monthly comics. My closet is full of monthly comics. I've always wanted to do a monthly comic, and while I've had a couple of offers, the timing has never worked out. Most superhero comics come into the world as monthly series, so we wanted the same for 'The Shadow Hero.'
I have nothing to do with comics. I know nothing about comics. I am aware of the importance of comics, but they're not within my world. Not because I feel that I'm above it, but just that micro-surgery is not in my world either. Is that a deficit or is that an advantage?
When I tried to hit puberty I swung and I missed.
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