A Quote by Adrian Tomine
When people see me struggling on paper, I think it invites an almost collaborative relationship with the outside world, and that includes readers and other artists.
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I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
If I stand there, appreciating the world around me as full of amazing sounds and the possibility of new ones, I think that invites other people to see the world that way, too. I love sharing the experience of singing with people, and I love sharing my stories. But when it comes to teaching, I have a lot of help.
Everything I write is meant to share what I'm struggling with. I hope that it helps other people. I benefit from that a great deal because I always hear new ideas from my readers. It's a very symbiotic relationship.
You have a very open relationship with your fans." "Yes. We have an open relationship. Obviously they can see other authors if they want, and I can see other readers.
It's hard for me to understand how poverty can be invisible to so many people, since I see it everywhere. Readers sometimes think this world is so different; on the one hand, they feel connected to the people I'm writing about, and on the other hand, they're saying their lives are a world away.
I'm in a contented, loving relationship, but that doesn't mean I'm not struggling with other things that are going on around me in the world.
What other people think of me is not my business. What I do is what I do. How people see me doesn't change what I decide to do. I don't choose projects so people don't see me as one thing or another. I choose projects that excite me. I think the problem is that people refuse to understand what drag is outside of their own belief system.
I think everyone kind of knows and makes the effort to see each other and invites people to barbecues and whatnot. I think it was harder, probably, saying goodbye to Alice Cullen. That was probably the hardest, because that's the only person that I'm not gonna see again.
I enjoy being on stage with other artists. I have a chance to watch and see people responding to the other artists songs. I get to see how people are affected by the music.
People sort of take it for granted, but the more you see of the media world the more you appreciate a paper like the Times where its family continues to invest in editorial quality and I think it's the truly is the best paper in the world.
Among the letters my readers write me, there is a certain category which is continuously growing, and which I see as a symptom of the increasing intellectualization of the relationship between readers and literature.
It's kind of a collaborative relationship. Westworld requires the investment of the people watching, and that's what I love about it. It changed my life. When I read the script, I was like, 'This is going to change the way I think about my own life. The way I see myself, the people around me, and the way I choose to exist.' That's what great material does. It transcends just being pop cultural entertainment, and actually involves the mind. It's really fun, and when I see the reactions and theories it makes me really excited. That's why I act.
I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
Typically, people allow differences and mistakes to lower their respect and value for other people. But you know the pillar of honor is strong in a relationship when you can look at the other person and say, “You are really different from me. It makes me sad when I see you making that choice. But I love you. I value you, I believe in you, and I am here for you in this relationship.
I think I see a lot of artists struggling to make their first album perfect, and I've been there.
Artists are, I think in general, compassionate people, and part of what makes us artists is that we're open-minded people, and I think we're almost, by definition, progressive in a lot of ways.
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