A Quote by Adrian Tomine
The experience of reading a comic should not be the time it takes to turn each page.
Related Quotes
When you're writing TV or movies your vernacular is time, it's all based on rhythms, a character takes a beat or two characters have a moment, like everything is about time. And when you're writing a comic, everything is about space. It's how many panels to put on a page, when should you do a full page splash, what is the detail that you see in any particular image.
A book is something that young readers can experience on their own time. They decide when to turn the page. They'll put their arm right on the page so you can't turn it because they're not ready to go to the next page yet. They just want to look at it again, or they want to read the book over and over because they really enjoy setting the pace themselves.
When you're reading a newspaper and you're seeing ads on the page, it's not kind of invasive. Like, it's on the page next to the article. You can look at it or not. You can turn the page when you're ready. On the internet, the ads - many of the ads - just are so controlling. They insist that you see them.
There should be a period of time during each practice session when you perform. Invite some friends in to your practice room and play a passage or a page of something. ... What I'm trying to indicate is that each day should contain some amount of performing. You should engage in the deliberate act of story telling each day you practice. Don't only gather information when you practice, spend time imparting it. This is important.
Sometimes a book I'm reading is so terrific that when I finish, I simply turn back to page one and start all over again to see what I've missed, to experience it again, more deeply, or because I don't want to let it go.
No one reads to hear someone complain about the weather or how poorly their children are behaving. You have to give the readers a reason to turn the page. As a writer you have to invite someone to turn the page. And that is a skill you have to refine. That is why you have to read. You have to read to learn what it is that makes people turn the page.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
At the very core of what a comic is, time and space are kind of the same thing. When your reader moves her eyes across the page, she should be moving through time in your story.
I hope that 'Gambit' doesn't take ten years, but it takes a little honing to get that tone and that voice exactly right. The character has such a specific voice in the comic, in the same way that Deadpool has a specific voice in the comic, that we want to make sure that we capture that voice on the page.
I came in with a very specific idea about what a Doctor Strange movie should be, which was rooted in the comics, and I thought it should be as weird and as visually ambitious compared to modern comic book movies as the comic was when it showed up in the '60s compared to other comic books at the time.
Reading for experience is the only reading that justifies excitement. Reading for facts is necessary bu the less said about it in public the better. Reading for distraction is like taking medicine. We do it, but it is nothing to be proud of. But reading for experience is transforming.
When we read about reading, we get to share an experience that is usually kept private. Incisive descriptions of reading help us to understand what is going on when our eyes move across words on the page.
Turn the page, continue reading, and let the next story begin.
I believe we should spend less time worrying about the quantity of books children read and more time introducing them to quality books that will turn them on to the joy of reading and turn them into lifelong readers.
I generally don't walk out of films. If I start a book, and I don't love it by page 100, I will stop reading because it's just too much of a time commitment. But you never know with a movie what's going to turn around.
Related Authors
Alison Bechdel Quotes
American
Cartoonist
Bill Watterson Quotes
American
Cartoonist
Bryan Lee O'Malley Quotes
Canadian
Cartoonist
Cathy Guisewite Quotes
American
Cartoonist
Charles M. Schulz Quotes
American
Cartoonist
Chester Brown Quotes
Canadian
Cartoonist
Gary Larson Quotes
American
Cartoonist
Jack Kirby Quotes
American
Cartoonist
Lynda Barry Quotes
American
Cartoonist
Matt Groening Quotes
American
Cartoonist
Michael Leunig Quotes
Australian
Cartoonist
Randall Munroe Quotes
American
Cartoonist
Roz Chast Quotes
American
Cartoonist
Scott Adams Quotes
American
Cartoonist
Seth Quotes
Canadian
Cartoonist
Seth MacFarlane Quotes
American
Cartoonist