A Quote by Adriana Trigiani
I write novels about women, except for one: 'Rococo', about a man, a New Jersey decorator. But even that book had a woman on the cover.
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I didn't write my book, 'I Don't Care About Your Band,' in order to give women a brand-new set of dating rules they need to feel terrible about not abiding. I wrote my book to make the women who read it feel good about themselves, and a little more entitled to be treated well by the guys they go out with.
I did some reading to prep for Expelled. I read one book cover to cover, From Darwin to Hitler , and that was a very interesting book - one of these rare books I wish had been even longer. It's about how Darwin 's theory - supposedly concocted by this mild-mannered saintly man, with a flowing white beard like Santa Claus - led to the murder of millions of innocent people.
I am satisfied that if a book is a good one, it is so whatever the sex of the author may be. All novels are or should be, written for both men and women to read, and I am at a loss to conceive how a man should permit himself to write anything that would be really disgraceful to a woman, or why a woman should be censured for writing anything that would be proper and becoming for a man.
In the era of Venus Williams, girliness and goo isn't the way to every woman's heart. Yet publishers presume that women only buy a book that looks soft and that appears to be all about women, even if it isn't. Yet women, unlike men, buy books by and about both sexes.
But even before that, in 1980 I went so far as to write a book about what had happened. And I wrote all about the bank robbery, I went ahead and printed it even though I had no use immunity for it.
When you write about a Muslim woman, like I did with my previous novels - 'Minaret', for example, which is about a woman who starts to wear the hijab - it sets all the alarm bells ringing.
New Jersey is very big. There are different areas of New Jersey. There is North New Jersey. There is like the center. There are a lot of actors from New Jersey that don't speak with a New Jersey accent.
If you write a book set in the past about something that happened east of the Mississippi, it's a 'historical novel.' If you write about something that took place west of the Mississippi, it's a 'Western'- and somehow regarded as a lesser work. I write historical novels about the frontier.
Even though novels were the love of my life, I started off writing poetry. I think because I had a knack for image and lyricism, even though I didn't really have anything to write about, or I didn't know what to write about. I could just couple words together that pleased me and so poetry seemed sort of natural.
I was tormented by my desire for a woman ... I thought so much about a woman, about women, about all the ones I had known, about all the circumstances in which I had enjoyed them, that my cell would be filled with their faces and crowded with my desires.
'Say Her Name' was a book I never wanted to write and never expected to write. I wasn't trying to do anything except write a book for Aura - a book that I thought I had to write.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
I write for people who aren't Christians. I write for non, new, and nominal Christians who are curious about the Bible and Christianity. They're like New York City. If I can make it there, I can make it anywhere. If I can write a book about the Bible that's engaging enough to attract people who aren't even Christians, I'm betting Christians will want to read it, too.
If you've written a powerful book about a woman and your publisher then puts a 'feminine' image on the cover, it 'types' the book.
When I learnt, however, that in 1911 there had been twenty-one regular feminist periodicals in Britain, that there was a feminist book shop, a woman's press, and a woman's bank run by and for women, I could no longer accept that the reason I knew almost nothing about women of the past was because there were so few of them, and they had done so little.
You know what the problem is? You can't put a woman into a man's role. A women's journey in life, I'm not speaking disrespectfully of women and their roles in life, but a woman's journey in life is very different from a man's. That doesn't mean a woman can't do a man's job, but it doesn't mean that a woman should do a man's job the way a man handles it. The things that men question themselves about in life are quite different from the things women question themselves about.
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