A Quote by Adriana Trigiani

I can't take just one book with me anywhere. — © Adriana Trigiani
I can't take just one book with me anywhere.
The novels take longer to write than the picture book texts, and they do take a different sort of concentration. However, a very short, simple story that works well is just as exciting to me as any longer and more complex book.
Travel Far, Pay No Fare... a book can take you anywhere.
I didn't want to do a book just to do a book. I wanted to do a book that, if you should read it, you might take one thing from it. Until that was clear in my mind, I wasn't going to do one.
I've always said if somebody wrote a book and they took their whole life to learn that knowledge in that book, why you won't just read that book to learn what they know? I have never seen anyone take a book combining Faith, personal Development and life stories that are just so practical and relatable to our own generation.
Shorter work - personal essays and book reviews - allow me to take a break from working on a book, which is good for the book and for its author.
Well I just so happened to bump into a chess book in the library at school and I didn't know that there were books on chess and so I take this book out and I'm like this is going to be cool, I'm going to whoop on this guy now, so I studied the book and I go back and the guy crushes me again.
You could take me anywhere. You could take me to the moon, and believe me, everybody's going to try to take a trip to the moon to watch me fight.
I think I had a particular moment when I was 15 years old. I read 'Crime and Punishment,' and that book just, I think, more than any other book made me want to be a writer, 'cause it was the first time that I hadn't just entered a book, but a book had entered me.
When a translator translates my book, it is no longer just my book. It is the translator's book, too. So the book in another language is almost the work of two people. And that is quite interesting to me.
Stephen King told me a long time ago, when he gave me some advice about the movies. He said to take the money up front and expect it to be something different than the book and if you don't like that don't deal with Hollywood. But if you take the money, shut up and don't criticize the film because you sold it. The movie doesn't change a word of the book.
Writing is transcendental. It is a form of expression, a form of art that you can take anywhere. That you can do anywhere. It poses the deepest questions in the universe. It generates emotion. It elicits empathy, promotes learning, creates an intellect you simply cannot get from any other medium. For me, it is air.
I didn't want just a squeaky-clean book that just illuminated my stardom. For me, that would just be such a waste of time. I wanted my book to reflect real life - the highs and lows.
I actually started an adult book, worked on it for about two years, and then decided it just wasn't coming together for me, and thought I'll go back to children's books, and almost immediately I started 'Holes,' and it just seemed to take off on me.
I take real big pride in that. Delaware, the support that I get from Delaware - I mean, there are thousands of people reaching out to me. Whenever I go home, it's just so welcoming anywhere I go, and everybody is noticing me.
Just having a great product won't take you anywhere.
I remember how a man once got in touch with me to tell me that he was so engrossed in my book that he had to take a day off from work just so that he could finish reading it. Such kind of responses from my readers is extremely endearing, and it keeps me going.
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