A Quote by Adriana Trigiani
Koverman is one of my favorite Hollywood characters because she was the brains of MGM, and not many people know about her.
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You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.
I just don't feel like I've seen very many movies about 17-year-old girls where the question is not, 'Will she find the right guy' or 'Will he find her?' The question should be, 'Is she going to occupy her personhood?' Because I think we're very unused to seeing female characters, particularly young female characters, as people.
They're my best friends. We think of Gigi as the brains in the family - something most of the world doesn't know - and my favorite thing about Bella is that she's a free spirit who never lets anyone set limits for her. They can be really protective, but they've taught me not to let other people define what I'm capable of.
Never underestimate a girl’s love for her favorite band. Never think even for a minute, that she won’t defend them to her death. Because it’s not just the music that makes that band her favorite. It’s the guys, the gals. It’s the fans. People whom of which she has interacted with thanks to the band. That band might of saved her life, or just made her smile everyday. That band has never broke her heart and has yet to leave her. No wonder she finds such joy in her music.
Christina Hendricks is still one of my favorite people to dress because she has this old Hollywood, vintage quality to how she likes to get ready.
How will a person know, Selina, when the soul that has the affinity with hers is near it?" She answered, "She will know. Does she look for air, before she breathes it? This love will be guided to her; and when it comes, she will know. And she will do anything to keep that love about her, then. Because to lose it will be like a death to her.
I think bringing depth to characters means really needing to find out who this girl is, what is she passionate about, what makes her tick, what gets her going in life. So I did a lot of backstory for who she was and sometimes it comes across screen and sometimes it doesn't. You never know, because you're not the director, but you can only do your work and hope that it somehow subtly is infiltrated in that. But I think the characters I've played for the most part have depth, just not in the way that you think they do.
You know, and the fact that Nina Simone had to start playing in clubs and sing because her parents had moved north to support her music education. You know, so she had to sing. She had to make a living 'cause she was supporting her family. So poverty and race put her in this place which, you know, created enormous success, but it's not what her psyche was all about.
I actually don't know much about Jaclyn Moriarty's process or where her stories come from or who inspired her characters. I just know that reading her books feels like sitting with friends. Her characters feel alive.
She was a wonderful mother. She was my best friend. Same for my brother. And it's funny because we didn't grow up in Hollywood. You know, once she decided that she needed to be a mother, she really gave up her career.
I know people who say Hollywood broke her heart, and all that, but I dont believe it. She was very observant and tough minded and appealing, but she adored and trusted the wrong people. She was very courageous-you know the book Twelve Against the Gods? Marilyn was like that, she had to challenge the gods at every turn.
I never hated Ronda. She's always talked about me; she did that to promote herself because when she started, nobody knew her, and she talked about me for people to know who she is. And she opened the doors for women's MMA.
I don't know if it's unique, but I know many Korean American people of my generation who want to know about their grandparents' lives in Korea, but their family members won't tell them because it's too painful. But my grandmother is just a natural storyteller, and she very openly spoke about really difficult times in her life.
He knew why he wanted to kiss her. Because she was beautiful. And before that, because she was kind. And before that, because she was smart and funny. Because she was exactly the right kind of smart and funny. Because he could imagine taking a long trip with her without ever getting bored. Because whenever he saw something new and interesting, or new and ridiculous, he always wondered what she'd have to say about it--how many stars she'd give it and why.
I don't know that I have a favorite meal. When I'm cooking I'm thinking about the person I'm feeding and I want to make them whatever they want. My husband's favorite meal is carbonara. I guess my favorite food is anything my mom makes. Because like anybody who loves their mother's cooking, if you try and make your mom's recipes, they never taste quite the same. And I don't know if that's because she's lying about what she's putting in there and just not telling me. Like when I turn my back, she's sneaking something in there. It just never seems to taste the same.
One of my patients told me that when she tried to tell her story people often interrupted her to tell her that they once had something just like that happen to them. Subtly her pain became a story about themselves. Eventually she stopped talking to most people. It was just too lonely. We connect through listening. When we interrupt what someone is saying to let them know that we understand, we move the focus of attention to ourselves. When we listen, they know we care. Many people with cancer talk about the relief of having someone just listen.
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