A Quote by Adrianne Lenker
I like leaving a space hollowed out, where as I change I can inject new meaning in the shell of the songs all of the time. Where anyone who listens can hopefully inhabit them in their own way.
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There's no way anyone's going to understand my own personal experiences, where the songs came from, because they're mine. But I was very conscious of leaving loads of space in the songs so that people could interpret them with their own memories, feelings, and emotions. I love the process of taking stuff away so that people could finish the songs themselves. I was hoping it'd end up being as universal as possible, even though it comes from the most personal place.
I should be happy, but instead I feel nothing. I feel a lot of nothing these days. I've cried a few times, but mostly I'm empty, as if whatever makes me feel and hurt and laugh and love has been surgically removed, leaving me hollowed out like a shell.
Change life! Change Society! These ideas lose completely their meaning without producing an appropriate space. A lesson to be learned from soviet constructivists from the 1920s and 30s, and of their failure, is that new social relations demand a new space, and vice-versa.
I'm sure that the meaning of the songs that I've written will change for me over the years, the same way that I can't even say what inspired some of the songs that I've been singing for a long time anymore.
I draw things on the paper very freely but believing there is meaning to them already. There is already meaning in the colors, I don't need to be guided by words. I draw them and the meaning comes after. Every time we would start a new sequence we would change everything.
Songs need to have the ability to change and to grow for sure. They take on lives of their own. Some songs just don't have that capacity. They're locked within a period of time. And as soon as you take them out of that period of time, they die very quickly.
It was during this [as a kid] time that I came out of my shell vocally and performance wise, I learned how to really and truly sing in a different way.... my way. It was an amazing experience because I also realized my lifelong dream - to sing my own songs...I have something to say and it was a great release for me to share that part of myself with others.
Just as a little bird cracks open the shell and flies out, we fly out of this shell, the shell of the body. We call that death, but strictly speaking, death is nothing but a change of form.
Because the beauty of songs, I think, is if you do it right a lot of people can relate to it in their own way and make their own meaning out of things.
I think, actually, that it's a really fascinating time in history because the development of modern technology and the photographs the satellites were taking from space were mapping the earth in a new way, making us feel like the globe we inhabit is much smaller than previously conceived of, in the human mind.
Words don't change their shape, they change their meaning, their function...They don't have a meaning of their own any more, they refer to other words that you don't know, that you've never read or heard...you've never seen their shape, but you feel...you suspect...they correspond to...an empty space inside you...or in the universe.
We attach meaning to things, and things to meaning: endow them one way or another as if to prove to ourselves that we are who we are; this life really happened; we really have traveled this far in time and space.
The superior student listens to the Way and follows it closely. The average student listens to the Way and follows some and some not. The lesser student listens to the Way and laughs out loud. If there were no laughter it would not be the Way.
We are preoccupied with time. If we could learn to love space as deeply as we are now obsessed with time, we might discover a new meaning in the phrase to live like men.
Sometimes songs need extra time and space to really play themselves out, and some songs it's like, this is all you need, a straightforward thing.
Anyone can take pictures. What's difficult is thinking about them, organizing them, and trying to use them in some way so that some meaning can be constructed out of them. That's really where the work of the artist begins.
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