A Quote by Adrianne Lenker

When you're playing music and you're starting to expose yourself for the first time, there's nothing more powerful than being listened to and being actually heard. — © Adrianne Lenker
When you're playing music and you're starting to expose yourself for the first time, there's nothing more powerful than being listened to and being actually heard.
Mostly by [listening to] Green Day. I listened to music a little bit before I had heard of them, but after I'd heard of them, I knew music was my calling. I listened to it all day, and I loved it so much that I wanted to be a part of it, so I worked on being in a band from there.
Actually, when I was very young, first starting to play, I think I probably listened more to clarinet players than to saxophones.
I'd actually say that every musician is a human being, and that not everybody likes being social. But with music, there are all these ingredients to the business that have nothing to do with writing songs or playing an instrument.
The thing that hasn't changed, and I don't think will ever change, is that the operative word in music is "play." You have to have a playfulness about it. As the world shifts, it's starting to understand more and more that to have a playfulness about any and everything is actually the way of having a better life, or being more creative, or being more productive.
There is nothing more seductive — and dangerous — than being listened to.
Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.
Failure is so much more interesting because you learn from it. That's what we should be teaching children at school, that being successful the first time, there's nothing in it. There's no interest, you learn nothing actually.
Music and time have such an interesting relationship. Music makes time fall away like almost nothing else. You hear a song from another moment of your life and it really is like you're still there. That's why the music of our youth ends up being particularly powerful. The coming of age music that you grab a hold of as the symbol or the expression of your independence and hopes for the future and anger and rebellion or whatever it is you're feeling is so powerful for the rest of your life when you hear it.
After the first three or four years of me taking rap seriously, it started to look more promising. I started booking shows and more people were playing my music, so I starting believing this could actually work for me.
I've always made a point of playing parts where weight has nothing to do with it, and not just weight but looks. It's about being funny and being interesting, and I think there are a lot more interesting things to play than being overweight.
There's nothing more powerful than coming out and being who you are.
There is a difference between being listened to and being heard.
Have you listened to the radio lately? Have you heard the canned, frozen and processed product being dished up to the world as American popular music today?
It's a despicable world we're living in now. It's the most disgusting time for music in terms of big wigs, guys who like playing the game. It's hard to get your stuff heard. I find it really annoying actually. I think my music would appeal to a lot of people but being on Warp in the States it's really hard to get radio play and exposure. We need to push this internet revolution forward quickly.
When I was acting for the first time in 'Squid Game,' I listened to a lot of music. I listened to a lot of music by Sanulrim, Yoo Jae-Ha and Kwang-seok. In particular, I listened to the song 'Reminiscence' by Sanulrim a bunch. Listening to that song assisted me emotionally.
I really think that being yourself, being original, being outside the box is starting to be appealing to people.
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