A Quote by Adrianne Lenker
I'll get a few words and then go back to the music and then back to words, and play them off each other - and then I'll bring the song to the band.
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"Diamonds & Rust" started off as another song. Then the words started to morph. When you write a song that deep, the words come from some place else. But when the songs stop coming, it would be so contrived to try and force it. Since then I've just been doing other people's music.
I'm not sure if it's because I'm older and I'm thinking about family more, but I'm trying to set up this thing where I can play in one city for a month, and then write music for a couple months, then play in another city for a month, write music for a month. Just so it's not these two schizophrenic, Jekyll and Hyde kind of things; you don't have to be this monster. You get inspired and you can go write one song from that, and then you go back and play a few shows. If I could've done that in the 90s, I would have.
If you can make a little painting for the ears with a few words, well, I like words; I like cutting them up and finding different ways of saying the same thing... I get into a spell, and it all comes easy. I don't labor over it. I go inside the song, I think you make yourself an antenna for songs, and songs want to be around you. And then they bring other songs along, and then they're all sitting around, and they're drinkin' your beer, and they're sleeping on the floor. And they are using the phone, they're rude, thankless little f---ers.
I tend to work in the mornings, then take a few hours off in the afternoon to walk the dog, and then come back and work in the evening. So, if I can remember my pre-dog walking music when I get back then that's fine, I'll kind of commit to those bits, but if I can't remember them I'll just move on to something else.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
I'm a coffee guy but I don't think I've had a full cup of coffee. I'll grab one and then I'll have a few sips of it then go back to work and it's cold then I'll throw that away and go back later and get another one.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
My fear of flying starts as soon as I buckle myself in and then the guy up front mumbles a few unintelligible words then before I know it I'm thrust into the back of my seat by acceleration that seems way too fast and the rest of the trip is an endless nightmare of turbulence, of near misses. And then the cabbie drops me off at the airport.
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
I was happier then. Or was that I? Or am I now I? Can't bring back time. Like holding water in your hand. Would you go back to then? Just beginning then. Would you?
If you're working with someone who you get on with and you're supposed to hate them on the screen, then you get this playful challenge thing where you're trying to one-up each other and that's really interesting. Sometimes it can become like tennis. The harder you hit the ball back, then the harder the hit it back to you.
I feel if some kid has sat down and felt I'm important enough to write two pages of words to and take up a lot of his valuable time, then he deserves a few words back, or even a phone call as I have done on a few occasions.
I started writing "Peace Trail" here in Colorado, then I went back to California. I had a few other tunes going around in my head, so I had a couple of them finished after a few days and then I wanted to go into the studio.
I am not into this old-school way of doing things, where you kill characters, and you bring them back, and then you kill them again, and then you bring them back, and their deaths mean nothing.
I'd spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then, "Nowhere Man" came, words and music, the whole damn thing, as I lay down...Song writing is about getting the demon out of me. It's like being possessed. You try to go to sleep, but the song won't let you. So you have to get up and make it into something, and then you're allowed sleep.
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