A Quote by Adrianne Lenker
I always said I got my music from my dad, but my mom had these cassettes - Bjoerk and the Cocteau Twins and the Talking Heads. That was her music, and she would just get so wild and free when she listened to it.
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My mom is a painter and an artist. She would play music, and she always had very good taste in music, fashion, and art. She was also a young single mom, so I think she had really good style; she was really free... just really inspiring in her own way and allowed me to find the direction I wanted to take in my life.
I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.
My mom, she got taken away from me when I was 14 years old. She is incarcerated. My sister was incarcerated. I was homeless. When my mom went away when I was 14... I was forced to live with my aunt. My aunt, she doesn't like rap music. She thinks rap music is the devil's music. Basically she said, "Yo, if you are going to do music you can't do it in my house."
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
She didn’t understand why it was happening,” he said. “I had to tell her she would die. Her social worker said I had to tell her. I had to tell her she would die, so I told her she was going to heaven. She asked if I would be there, and I said that I would not, not yet. But eventually, she said, and I promised that yes, of course, very soon. And I told her that in the meantime we had great family up there that would take care of her. And she asked me when I would be there, and I told her soon. Twenty-two years ago.
My mom, Peggy, was a free spirit. She loved music and liked to paint. She had received her degree from Chouinard Art Institute in L.A.
I met this girl who had a huge scar on her leg from a car accident. She was talking about how, after it first happened, she would always wear long pants and cover it up. But, as she started to grow into it, she decided that that's just her now. It's just a part of who she is. She wears skirts and she shows it off now.
...she could express her soul with that voice, whenver I listened to her I felt my life meant more than mere biology...she could really hear, she understood structure and she could analyze exactly what it was about a piece of music that had to be rendered just so...she was a very emotional person, Annette. She brought that out in other people. After she died I don't think I ever really felt anything again.
She [Joni Mitchell] wanted to have that (jazz) element in her music. Of course, when she heard Jaco's [Jaco Pastorius'] music and met him, that floored her -- really grabbed her. She decided that Wayne Shorter was really conducive to her music. She would speak metaphorically about things. "I want this to sound like a taxicab driver, or a taxi in New York," or "I want this to sound like a telephone ringing." She would speak to musicians like that, and we really tuned into what she would want our music to be.
In her enthusiasms she had always looked for something tangible: she had always loved church for its flowers, music for its romantic words, literature for its power to stir the passions and she rebelled before the mysteries of faith just as she grew ever more restive under discipline, which was antipathetic to her nature.
She was obviously useful at the UN because she had a public persona before she ever got there. She was well known. She was a spokeswoman for many important things. When she got there, what she said was paid attention to, undoubtedly much more than would have been if just Joe Blow had been made our representative to the United Nations. In that sense, I think it was useful to have her there.
I lived in the house with my mother so she had no choice but to hear what I was doing. I would ask her for her opinion. I used to like doing that because I would let my friends hear what I did, but they listened to it on another level. My mom listened to it with a different ear, because she's older.
She [my mother] said that if I listened to her, later I would know what she knew: where true words came from, always from up high, above everything else. And if I didn't listen to her, she said my ear would bend too easily to other people, all saying words that had no lasting meaning, because they came from the bottom of their hearts, where their own desires lived, a place where I could not belong.
I am just so thankful that my mom was a fantastic mom. She wasn't a stage mother; she didn't push me. She was happy if I was happy. We are so different. I was very shy; my mom did all the talking. She was my strength. She never expected that I would be this ballerina.
She has form," he said to himself, as he walked away through the grove - "that cannot be denied to her; but has she got feeling? I am afraid not. In fact, she is like most artists; she is all style, without any sincerity. She would not sacrifice herself for others. She thinks merely of music, and everybody knows that arts are selfish. Still, it must be admitted that she has some beautiful notes in her voice. What a pity it is that they do not mean anything, or do any practical good.
I did get a nice compliment from Ramona Fradon a few years ago.She was talking about the one and only Plastic Man comic that I inked for her for DC and she said it was the only time that she'd ever had anyone ink her. Everyone else put in their own personality and changed it. In fact, bless her heart, she said if she were still doing Brenda Starr, she'd have me ink it.
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