A Quote by Adriano Giannini
I grew up a very open and free mind, but also with the flaws of a look on life with too much liberty than people normally have.
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No, liberty is not made for us: we are too ignorant, too vain, too presumptious, too cowardly, too vile, too corrupt, too attached to rest and to pleasure, too much slaves to fortune to ever know the true price of liberty. We boast of being free! To show how much we have become slaves, it is enough just to cast a glance on the capital and examine the morals of its inhabitants.
It's possible to have too much in life. Too many clothes jade our appreciation of new ones; too much money can out us out of touch with life; too much free time and dull the edge of the soul. We need sometimes to come very near the bone so tha we can taste the marrow of life, rather than its superfluities.
The liberal appropriations made by the legislature of Kentucky for a general system of education cannot be too much applauded . . . . Learned institutions ought to be the favorite objects with every free people. They throw that light over the public mind which is the best security against crafty and dangerous encroachments on the public liberty . . . . What spectacle can be more edifying or more seasonable than that of liberty and learning, each leaning on the other for their mutual and surest support?
What we have to remember is that not everything is under our control. If people are free in any meaningful sense of the word, that means they are at liberty to foul up their lives as much as make something grand of them. That's a gamble we all take. That's the risk of liberty. Nobody wants others to screw up their lives, but each must be free to do so for themselves.
No one finds it interesting to look at the person who is perfect all the time. They have no flaws. Flaws are what open us up to another person to show that we are not having a veneer, a fake sort of exterior.
I grew up with my mom being very, very cheap, so when it's free, I'm like, 'Oh my God, it's free - I have to take as much as I can!'
The two greatest things that all men aim at in any free government are liberty and permanency. We have had liberty enough - too much perhaps in some respects - but at all events, liberty to our hearts content.
I grew up in the south of Italy, next to the sea, which was a great place to grow up. The type of life we lived there was very relaxing. Just very fun, open-minded people. It was all very sociable and low-key.
many men have too much Free-will, and take to themselves too free liberty now a days to advance and maintain free will.
You cannot extend the mastery of government over the daily life of a people without somewhere making it master of people's souls and thoughts.... Every step in that direction poisons the very roots of liberalism. It poisons political equality, free speech, free press, and equality of opportunity. It is the road not to more liberty but to less liberty.
Also, in my acting, I feel very much like a storyteller, exploring the flaws of the characters that I interpret. I look for the imperfections, and I love a character that is just so flawed.
My life in the town I grew up in was much quieter than 'The End of Vandalism.' Part of the reason I think I wrote it was because it was too damn quiet when I was young, and I wanted people to come out and talk. And they do. There's so much dialogue in 'The End of Vandalism.'
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch tv too much. We have multiplied our possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
Free yourself from all believes, all norms. See that you live completely with beliefs. Free yourself from second hand information. See in you clearly what is beautiful. All that is beautiful in you is right. Look at the situation with an open mind, free from hearsay. The solution is in the situation. So, see the situation clearly with an open mind. Then the choiceless decision comes.
For me it's a dedication to your real interests. It's an ability to be open-minded. Without an open-minded mind, you can never be a great success. The great artists have been open-minded, even though they may seem, like Picasso, to be very directed, you can be directed and open-minded at the same time. I think you have to be really intensely serious about your work, but not so serious that you can't see the lightness that may also involve your life. You have to have that lightness too. You have to not be so heavy-handed and so ostentatious. It's very important not to be.
I grew up in a very spiritual home in a Liberty City neighborhood of Miami, FL. I was raised in the church, and my mother was a very inspirational person in my life.
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