A Quote by Adriano Zumbo
Everyone has different tastes and palates. Most of the time I put a smile on people's faces but sometimes you get people who have a different view and you take that on board and see what you can make of it.
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I've been really fortunate that my concert career has taken off hugely. I can make a living. I enjoy performing in front of a live audience, and I can do something different every time. Sometimes I'm with a quartet, sometimes I'm solo, sometimes with a symphony, and I get to go to different cities and meet different people.
I'm fascinated by people's process. Everyone's process is a little bit different, and just to see the different paths that people take to get where they are is really interesting to me.
I don't really enjoy working in TV, to be completely honest, even though it's incredibly lucrative, I'm just terrified of not being satiated in a myriad of different ways. It's amazing that I get to create every day, as an actor, or a director, or a writer, and I get to do it in a variety of different genres and worlds and characterizations. I think that's the great privilege of what we do, we get to make believe. I get to go to so many different places, try on different occupations, take on different points of view. That's what's always been sort of alluring.
The world is getting smaller. And people are bumping up against people from different parts of the world with very different points of view. The challenge of our time is going to be, how do you allow other points of view to exist within what you traditionally see as your world?
I love to see the smiles on people's faces when you cook for them. I love to go to different restaurants. I want to cook because I know this acting isn't going to last forever, and I want something to fall back on. It's another way to make people smile.
I try and be just completely me on stage. I try and put that across, and people seem to get that personality that I have, so I do try not to become two different people and two different faces.
Acting is interesting because you get to be involved in different stories and get to work with different people. Also, acting allows one to be a part of different stories, travel to different parts of the country and all the experiences put together make life interesting.
I think you get to see, through the different cult members, why people are attracted to a group like this. Everyone is there for a different reason and from a different background. That was part of what was interesting for us, in researching cults and exploring it. A lot of this happens in California.
Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
We [Paramore] are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
My job as an artist, as I see it, is to understand and in some cases to take on various ways of thinking about people and the world that are different from my own, sometimes radically different.
Through playing so many shows now outside of Japan, what I realize the most is that there is a very diverse fan base that comes to our shows. Sometimes you see older people, younger people, kids, female, male, a lot of different demographics, people from different backgrounds as well.
Everyone has different things they like in terms of board setup. The grind of the board and how it's waxed - you want to make sure that the speed of the board is right for the conditions of the halfpipe. And then there's the edges and the bevel of the edge.
Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.
So when a good idea comes, you know, part of my job is to move it around, just see what different people think, get people talking about it, argue with people about it, get ideas moving among that group of 100 people, get different people together to explore different aspects of it quietly, and, you know – just explore things.
And other people get the opportunity to leave prison, and then they do something to get put back in there because they can't actually function in society. It's really cool because you get to see all these different women, their backstories, where they come from, their upbringing and why they get to where they get to, and they're all completely different. It's really cool that you get to see all those storylines.
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