A Quote by Adrien Brody
Life is very complicated. I look to collaborate with artistic people and to go into an endeavor without judgment and to hopefully be treated with the same.
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They really stay just characters to me. I look at them, and I don't see always the same person up there. And hopefully, people will see that too. Because it's very easy to bore people, and that's a killer. So hopefully that won't happen.
It takes an honest look to observe our selves without judgment, and then to do something about it. Observing without judgment is the practice of yoga. Doing something about it is the stuff that makes up your life.
I think that's the key to any artistic endeavor: You want it to feel fresh and not have people look at it like it's re-creation of something else unless it's done in a really strong way.
We try to solve very complicated problems without letting people know how complicated the problem was.
So rather than denying or stuffing your past, go ahead and look at it, but without judgment. Look at it, express it, admit it, acknowledge it, accept it, and move on. In other words, let your past become something that is simply a matter of fact. That's all. Express your disappointment, your regret, your anger, and then LET IT GO! If you don't, you will continue to draw to you the very events that you are still resenting or regretting.
My parents were complicated people. They had a complicated relationship. My home was very, very complicated.
Life insurance can be numbingly complicated. Clients often turn off their brains and surrender their judgment to the very agent or planner who brought on their coma in the first place.
It was a very, very intense film for me. I almost lost my mind because there are scenes where I have to kill people, and that energy is absolutely overwhelming. At the same time, as an actor, you never play a character with judgment. It's not my place to judge the fact that she kills people. It's for me to look at her psychology to see what makes her do that.
I think we've made it a golden idol. I think we in the church have treated it differently than we've treated anything else. We've made it bigger; the resolution for this needs to be bigger than for other people. I think we have to do a better job than we've done. So I do think there is, people rush to judgment and rush to clarify their point on this issue in ways that they don't' rush to judgment and to clarity on other issues.
Finding your look isn't complicated if you go in without being frightened. Notice what people are complimenting you on. Experiment with new things once in a while, but have your tried-and-true pieces that work.
In the past we've tried to hire people in locations where we have critical mass, because we thought it was better for people's career development and easier for them to collaborate. We realized if you have somebody in a particular location who is willing to work the hours to be able to collaborate, you can do it very efficiently.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
Without faith in his own judgment no man can go very far in this game. That is about all I have learned - to study general conditions, to take a position and stick to it. I can wait without a twinge of impatience. I can see a setback without being shaken, knowing that it is only temporary.
We all have these tendencies in us that could go this way or that. I think that's the real key in writing. To look at a character without judgment.
When I decided to collaborate with people, I wanted to collaborate more with the underdogs, the street people, messing with the people like Jae Millz and Papoose. When I went to New York, they were all over the mixtapes, so I wanted to get down with those guys instead of trying to go safe with all the super-big names.
Fashion goes beyond fabric; it is the attempt to manifest art on a breathing canvas. I am very excited to collaborate with the artistic community as we celebrate this diversity of creative vision.
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