A Quote by Adrienne Rich
The kind of poetry that interests me is intellectual and moral and political and sexual and sensual - all of that fermenting together. It can speak to people who have themselves felt like monsters and say: you are not alone, this is not monstrous. It can disturb and enrapture.
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Myself, I suffer from loneliness. And I think we all feel alone. I'm looking for stories that help people deal with loneliness and help them if they are monsters: they don't have to undertake monstrous actions. And maybe they're not monsters.
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
People like to invent monsters and monstrosities. Then they seem less monstrous themselves. When they get blind-drunk, cheat, steal, beat their wives, starve an old woman, when they kill a trapped fox with an axe or riddle the last existing unicorn with arrows, they like to think that the Bane entering cottages at daybreak is more monstrous than they are. They feel better then. They find it easier to live.
My feeling is that most political poetry is preaching to the choir, and that the people who are going to make the political changes in our lives are not the people who read poetry, unfortunately. Poetry not specifically aimed at political revolution, though, is beneficial in moving people toward that kind of action, as well as other kinds of action. A good poem makes me want to be active on as many fronts as possible.
People like to invent monsters and monstrosities. Then they seem less monstrous themselves... they feel better then. They find it easier to live.
I think I felt very alone for a lot of my life, but once I was able to share my story more and more, and people wouldn't say, 'Hey, I felt sorry for you,' but, 'I get it, and I understand you,' it kind of encouraged me to tell it more. I just don't want people to feel alone.
The nature of power in the modern world is that it is also constructed in relation to political, moral, intellectual, cultural, ideological, sexual questions.
I never felt like a prodigy. For one thing, the root of the word is rather monstrous, literally. I never really felt like a monster or anything abnormal, because I always had a lot of different interests. But kids tend to focus on one thing, and for me it was violin.
I just went along with political activists and interested in other intellectual interests which I pursued kind of at random. I never had a real college education. I got a degree, but it was just patching together courses here and there.
The living always think that monsters roar and gnash their teeth. But I've seen that real monsters can be friendly; they can smile, and they can say please and thank you like everyone else. Real monsters can appear to be kind. Sometimes they can be inside us.
Poets are political, they have to be reflections of their times [because] they're living in their times... Poetry is political in that it's standing in opposition to fascism. Good poetry asks a bunch of questions and asks the audience to interact with themselves or see themselves in it; maybe you like it or you don't like it. But the fascist sort of stuff plays on your fears and tells you to jump on the party line and gives some simple excuses - blame this person.
If I were to speak your kind of language, I would say that man's only moral commandment is: Thou shalt think.
But a 'moral commandment' is a contradiction in terms. The moral is the chosen, not the forced; the understood, not the obeyed.
The moral is the rational, and reason accepts no commandments.
The American people owe it to themselves, and to the cause of free Government, to prove by their establishments for the advancement and diffusion of knowledge, that their political Institutionsare as favorable to the intellectual and moral improvement of Man as they are conformable to his individual and social rights.
I regard it as a tragedy that people of a differing sexual orientation find themselves proscribed in a world that has so little understanding for homosexuals and that displays such gross indifference for sexual gradations and variations and the great significance they have for living. It is completely foreign to me to wish to regard such people as less valuable, less moral, incapable of noble sentiments and behavior.
One can say that the disaffection is still a lingering naiveté about, not the place of poetry in the world, but - how to say this - the moral and intellectual presence of poets in the world. And while this may seem an old conversation to many poets who roll their eyes and say, "Here we go again about the function of poetry," I think that conversation, about poetry as an engaged art in a world that is full of regression or still lacking in progress, is still really not well-developed. It's almost an avoided conversation.
Before I transitioned, I felt like I could walk on stage and just, like, say anything and people would just laugh. And that's kind of a privilege that I just lost through the layers of social context and me being visibly a political object in a lot of people's brains.
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