A Quote by Adrienne Rich
Young people know they are being betrayed by he mass electronic media. It caricatures them, caricatures others. It is not really about them though it targets them as consumers.
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I remember going to a Trump rally in South Carolina, and it was really important and it was really interesting to talk to the people who'd shown up there because they were not caricatures, and so often Trump voters, Trump supporters were being portrayed in the media, probably I'm guilty of it as well, as caricatures. Each of these people, and I talked to maybe a dozen of them, had a very particular reason why he or she was supporting Donald Trump , but these were not casual, inexplicable decisions.
I've played people that are on the line of evil and good, but that's life. We are always playing with the good and the bad. I see them as people. I don't see them as caricatures. I try to not make them caricatures. Maybe I fail, but I try to see what' behind them. Would I play the hero? A superhero? I don't think so. But, I play good guys. There are some there, but you have to look.
It seems like everything is so polarized. You get the caricatures of people, the caricatures of their beliefs. "I hate this kind of person" or "I love this kind of person." But actually, there's a lot of great things about them. There are things to like. There's possibility of change.
They're all based on factual characters. Well, a good amount of them. That's why I was attracted to this genre anyways, because these characters are so large and cartoonish, they're like caricatures, I just felt that there had to be a film made about them.
Caricatures are an important part of our culture of debate. They should defuse political spats through humor and irony. It is about making a strong statement but softening it with a wink. So Danes do not get too upset about caricatures. None of us is interested in insulting Muslims.
In the '80s especially, a lot of comedians felt compelled to stick with what made them famous and those people became caricatures.
It is an odd fact that what we now know of the mental and emotional life of infants surpasses what we comprehend about adolescents. . . . That they do not confide in us is hardly surprising. They use wise discretion in disguising themselves with the caricatures we design for them. And unfortunately for us, as for them, too often adolescents retain the caricatured personalities they had merely meant to try on for size.
When we approached the project, the very first thing we did was take each character and say, "Okay, where would this character be?" We didn't want them to be caricatures of themselves. We wanted them to live and breathe, and grow with the audience and with us.
The caricatures that the mainstream media and the Democrats have about Republicans have taken hold.
The entire EU has labeling for GMOs, and is simply saying let's let consumers know what they're buying, let's let them choose. I think it's a huge mistake by the food manufacturers of America not to be saying let's let consumers know. Let's let them know, let them decide.
What's awesome about social media is you curate your own experience. That leads to the rise of niche celebrities, who are actually just as popular as mass celebrities, but because there's no incentive for traditional media to invest in them as celebrities, they find a home where people can follow them on Instagram.
Romeo and Juliet were stunning and beautiful, but a lot of the other characters surrounding them were caricatures.
History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.
If old consumers were assumed to be passive, then new consumers are active. If old consumers were predictable and stayed where you told them, then new consumers are migratory, showing a declining loyalty to networks or media. If old consumers were isolated individuals, then new consumers are more socially connected. If the work of media consumers was once silent and invisible, then new consumers are now noisy and public.
It's my opinion that every one I know has morals, though I wouldn't like to ask. I know I have. But I'd rather teach them than practice them any day. "Give them to others"-that's my motto.
But everyone cannot be there, and that is why photographers go there - to show them, to reach out and grab them and make them stop what they are doing and pay attention to what is going on - to create pictures powerful enough to overcome the diluting effects of the mass media and shake people out of their indifference - to protest and by the strength of that protest to make others protest.
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