A Quote by Adrienne Rich
For now, poetry has the capacity - in its own ways and by its own means - to remind us of something we are forbidden to see.
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Whether it’s a symphony or a coal mine, all work is an act of creating and comes from the same source: from an inviolate capacity to see through one’s own eyes-which means: the capacity to perform a rational identification- which means: the capacity to see, to connect and to make what had not been seen, connected and made before.
When I look at relationships, my own and others, I see a wide range of reasons for people to be together and ways in which they are together. I see ways in which a relationship - which means something that exists between two or more people - for the most part reinforces people's separateness as individual entities.
Each of us is our own story, but none of us is only our own story. The arc of my own personal story is inexplicably and intrinsically linked to the story of my parents and the story of my neighbor and the story of the kid that I met one time. All of us are linked in ways that we don't always see. We are never simply ourselves.
To be truthful, some writers stop you dead in your tracks by making you see your own work in the most unflattering light. Each of us will meet a different harbinger of personal failure, some innocent genius chosen by us for reasons having to do with what we see as our own inadequacies. The only remedy to this I have found is to read a writer whose work is entirely different from another, though not necessarily more like your own—a difference that will remind you of how many rooms there are in the house of art.
'Queen Sugar' is a drama about family. It's something that allows us to be ourselves and see the ways that we interact with our own families.
I believe we have these capabilities. It doesn't mean that we will use them. Our future is not assured here. It's not clear that we will survive our own folly, but we have a rare opportunity to do that if we listen and see the messages that nature is showing at us right now, that the finiteness of our own resources and our own planet are showing us right now.
Regarding mutual tolerance: It is negative in one sense, but positive in another. It absolutely forbids us to be forward in pronouncing on the meaninglessness of forms of existence other than our own; and it commands us to tolerate, respect, and indulge those whom we see harmlessly interested and happy in their own ways, however unintelligible these may be to us. Hands off.
I believe that in our own individual ways, God takes us to the grove or the mountain or the temple and there shows us the wonder of what His plan is for us. We may not see it as fully as Moses or Nephi or the brother of Jared did, but we see as much as need to see in order to know the Lord's will for us and to know that He loves us beyond mortal comprehension.
Poetry is its own medium; it's very different than writing prose. Poetry can talk in an imagistic sense; it has particular ways of catching an environment.
Poetry is its own medium; it's very different than writing prose. Poetry can talk in an imagistic sense, it has particular ways of catching an environment.
Because so many poets have chosen a political idiom right now in the US and so many poets have assigned value and inherent knowledge to their racial identity and used that as a form of argumentation, I'm thinking now's a good time to buy low for my own poems and write poems that are deeply in the interior and the psyche. There are plenty of people out there working on subjects of political poetry, partisan poetry, all the way through to crossing the threshold of propaganda. I start thinking now's a good time for me to start writing about the myths of my own psyche.
Awareness means the capacity to see a coffeepot and hear the birds sing in one's own way and not the way one was taught.
Debate doesn’t really change things. It gets you bogged in deeper. If you can address or reopen the subject with something new, something from a different angle, then there is some hope. ... People are suddenly gazing at something else and pausing for a moment. And for the duration of that gaze and pause, they are like reflectors of the totality of their own knowledge and/or ignorance. That’s something poetry can do for you, it can entrance you for a moment above the pool of your own consciousness and your own possibilities.
The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.
Under the Assads, Kurds were forbidden from learning their own language at school, or even from speaking it in the military. The result is a generation of Syrian Kurds, many now in late middle age, who can't write their own language.
God pity us indeed, for we are human, And do not always see, The vision when it comes, the shining change, Or, if we see it, do not follow it, Because it is too hard, too strange, too new, Too unbelievable, too difficult, Warring too much with common, easy ways, And now I know this, standing in this light, Who have been half alive these many years, Brooding on my own sorrow, my own pain, Saying "I am a barren bough. Expect, Nor fruit nor blossom from a barren bough."
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