A Quote by Adrienne Rich
There's been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I'm speaking of those who have institutional power over what gets published, over grants andprizes and reviewing. Most of them, though not all, arewhite and male. But even as American society is unravelling, becoming more violent and punitive, wonderful political poetshave been emerging.
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The maiden Olympics had more to protest about than mere war, though. Central to its ethos was a rejection of two establishments the political one, certainly, but also that of the wider poetry world itself. It changed poetry for ever in the UK, ... It led to readings all over the country. You suddenly got more women reading and publishing poems, as well as gay guys and poets from all over the world. Until that time, published poetry had been very university-based white, male, middle-class. We were trying to break poetry out of its academic confines.
I suppose, indeed, that in public life, a man whose political principles have any decided character and who has energy enough to give them effect must always expect to encounter political hostility from those of adverse principles.
My feeling is that most political poetry is preaching to the choir, and that the people who are going to make the political changes in our lives are not the people who read poetry, unfortunately. Poetry not specifically aimed at political revolution, though, is beneficial in moving people toward that kind of action, as well as other kinds of action. A good poem makes me want to be active on as many fronts as possible.
Enmity means 'hatred toward, hostility to, or a state of opposition.' It is the power by which Satan wishes to reign over us.
China has seen a great deal of economic progress. It's certainly rather of a miracle. The growing role of the market in the economy will force China to open up its political system over time and to move toward a more democratic society. So taken as a whole, the one real failure in this whole business has been Russia.
For many of the most powerful people in the entertainment business, hostility to organized religion goes so deep and burns so intensely that they insist on expressing that hostility, even at the risk of financial disaster.
American society is now remarkably atomized. Political organizations have collapsed. In fact, it seems like even bowling leagues are collapsing. The left has a lot to answer for here. There's been a drift toward very fragmenting tendencies among left groups, toward this sort of identity politics.
In 1986, Tanton published an article in which he argued: `To govern is to populate ... Will the present majority peaceably hand over its political power to a group that is simply more fertile? ... As Whites see their power and control over their lives declining, will they simply go quietly into the night? Or will there be an explosion?'
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
To me, a political song is also a personal song. Most political activism has been driven by empathy for other people and the desire for a world that's less divisive. Even if songs aren't overtly political, they can make a listener more empathetic.
Abatement in the hostility of one's enemies must never be thought to signify they have been won over. It only means that one has ceased to constitute a threat.
If you think about what folks have been doing for 20 or 30 years, they have been bottling frustration and resentment that the political elites don't understand them, that the political elites don't care about them, that the political elites judge them in various ways. All Donald Trump does is provide the opposite of those things.
All over Europe the organs that represent dogmatic interests are in permanent opposition to the progressive tendencies around them, and are rapidly sinking into contempt. In every country in which a strong political life is manifested, the secularisation of politics is the consequence. Each stage of that movement has been initiated and effected by those who are most indifferent to dogmatic theology, and each has been opposed by those who are most occupied with theology.
Just look at the history of cinema. The most reproduced male character is probably the hero and the most reproduced female character is probably the sex object. I think those stereotypes have been reproduced over and over again. It also changes our expectations when it comes to a situation like this in real life.
In the New Testament our enemies are those who harbor hostility against us, not those against whom we cherish hostility, for Jesus refuses to reckon with such a possibility.
Political poetry is more profoundly emotional than any other-at least as much as love poetry-and cannot be forced because then it becomes vulgar and unacceptable. It is necessary first to pan though all other poetry in order to become a political poet.
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