A Quote by Adrienne Rich

As a very young poet, I had been brought up on that dogma that politics was bad for poetry. — © Adrienne Rich
As a very young poet, I had been brought up on that dogma that politics was bad for poetry.
Politics in any country in the world is dangerous. For the poet, politics in any country had better be disguised as poetry. Politics can be the graveyard of the poet. And only poetry can be his resurrection.
My parents were older than normal when they had me, and had been very into the politics of the 1960s, so I was brought up in that atmosphere.
I remember being very, very aware of gender when I was really young. Not necessarily in a bad way. Maybe it's a little bit because I'm Norwegian and how I've been brought up.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
Any extreme political creed brought only darkness in the long run; it lit up nothing. The best politics were those of caution, tolerance and moderation, Angus maintained, but such politics were, alas, also very dull, and certainly moved nobody to poetry.
There's been no poet, no great poet in the history of poetry who hasn't also been a great reader of poetry. This is sometimes distressing to my students when I tell them this.
I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
Homosexuals are delicate and bad poetry is delicate and [Allen] Ginsberg turned the tables by making homosexual poetry strong poetry, almost manly poetry; but in the long run, the homo will remain the homo and not the poet.
I was brought up in a house where I was so aware of a life that had been broken by politics and conflict.
Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.
The laureateship [of U.S. Children's Poet] has brought me a couple of appealing contracts, including my first anthology, the 200-poem The National Geographic Book of Animal Poetry.Apart from the increased travel, I won't let anything interfere with writing poetry.
I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.
Pound described poetry as original research in language, and just as formal experiment in poetry has to try things and has to go too far, so does experiment with writing about politics in poetry and what the politics of poetry is.
I've had my feet on the ground since I was very young. I was brought up like that. I'm going to stay myself.
Politics can be the graveyard of the poet. And only poetry can be his resurrection.
Michel Aflaq - is bad poetry wrapped in the guise of utopian politics, or great poetry wrapped in the guise of horrible politics.
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