A Quote by Aesop

It is one thing to say that something should be done, but quite a different matter to do it. — © Aesop
It is one thing to say that something should be done, but quite a different matter to do it.
You should make something. You should bring something into the world that wasn't in the world before. It doesn't matter what it is. It doesn't matter if it's a table or a film or gardening-everyone should create. You should do something, then sit back and say, 'I did that.'
When you are playing with someone who really has something to say, even though they may be otherwise quite different in style, there’s one thing that remains constant. And that is the tension of the experience, that electricity, that kind of feeling that is a lift sort of feeling. No matter where it happens, you know when that feeling comes upon you, and it makes you feel happy.
You should bring something into the world that wasn't in the world before. It doesn't matter what that is. It doesn't matter if it's a table or a film or gardening-everyone should create. You should do something, then sit back and say 'I did that.'
It's easy to say when you're on the outside and when you're the coach or for people to say, 'Oh, you should have done this, you should have done that.' But when you're in there in front of thousands of people and you get hit and you want to win the fight, it's totally different.
I've done so many interviews over the years in so many different languages. Radios. Papers. Magazines. There's always another interview to do. It's quite something, I have to say.
It is the utterly destructive quality. When you say vanity, you are thinking of the kind that admires itself in mirrors and buys things to deck itself out in. But that is merely personal conceit. Real vanity is something quite different. A matter not of person but of personality. Vanity says, "I must have this because I am me." It is a frightening thing because it is incurable.
Basically, I’m not interested in doing research and I never have been... I’m interested in understanding, which is quite a different thing. And often to understand something you have to work it out yourself because no one else has done it.
My idea is just to do something different each time; the next thing I do has to be completely different to the thing I've done before - that's what I try and do, because you know, I'm an actor, not a film star.
You can actually improvise a lot as a voice actor. It's not that entirely different than shooting a live action movie; the characters mouths are quite easy to manipulate once all the information is built into the computer. So you can improvise a lot and it doesn't matter really how far along they are in the process they can really just make the character say something different.
I've been exploring a lot of different avenues with a number of very different and very, very exciting filmmakers and writers. That's been the trip. I like to find something very, very different from the last thing I did, which might be similar to something I've done before, but as long as it's different from the last thing I did, it keeps me entertained.
It's hard to explain," said Brutha. "But I think it's got something to do with how people should behave... you should do things because they're right. Not because gods say so. They might say something different another time.
I've done quite a lot of improv work before, and I wanted to do this film ["The Invisible Woman"] because it felt like a different technique. We were very true to the lines, and there was something quite formal and almost theatrical about it.
I like doing clay work. It's different from drawing on a page because you have something to mold into different shapes. It's quite visual, it's a thing you can hold and feel, and that makes it different from drawing.
And I think I often choose to do something because it's quite different from what I've done before.
I've had stuff of mine adapted by other people, so I've come to the conclusion that a movie is a different form from a novel and there is no such thing as a true adaptation. You have to adapt to this other thing and do it right. But that voice of the original should somehow still be there, and the original intent should still be there. So if the original writer saw the movie, the writer would say, "Well, that's not what I wrote, but that's what I meant." And if you can do that, I think you've done your job as a screenwriter.
I think the Pentecostals have done a great thing for the Kingdom of God. I think Baptists have done a great thing, oh, Protestants, I should say, have done a great thing for the Kingdom of God, so whenever Satan tries to divide, it's just really God multiplying.
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