A Quote by Aesop Rock
People can label me whatever they like. I don't really care any more.
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Parents don't particularly care whether it's early infantile autism or whatever label the clinicians have put on it. All they want is treatment, and they want what's best for their child, whatever that is. And when it comes to treatment, it may be that there's much more shared interventions that don't make any difference what label we're putting on it.
I like the concept of dressing people. I used to not care whether people bought the clothes or not, but I kind of like it now. I wouldn't label that commercialism; it's more like I do this work because I want people to wear it.
I learned that being husband and wife is just a label. It becomes, 'Do you really care about the person, the human underneath the label?' And I do, and I really do.
I never fit into any box, even in my boxing style, and when you try to put a label on me it's like I have to disprove the label. I'm weird like that.
As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.
People say to the mentally ill, ‘You know so many people think the world of you.’ But when they don’t like themselves they don’t notice anything. They don’t care about what people think of them. When you hate yourself, whatever people say it doesn’t make sense. ‘Why do they like me? Why do they care about me?’ Because you don’t care about yourself at all.
When you have a relationship with a label, it can really affect the work you're doing and if you feel like they don't believe in you sometimes you go: "maybe I'm not any good at this". Then you get on a label that is excited to have you and you go: "oh, maybe we are ok at this". It gives you a little more confidence and you work a little better.
For me, social media is a one-way deal. It's like all the traffic goes one direction and I don't care how many people follow me, I don't care how many people like what I do, give me a thumbs up or whatever it is. I am here to share a piece of information that I've decided is relevant to our relationship as musician and audience member.
In my life, I don't wear makeup, I don't care about any of the trappings of the "feminine," or how I look in photographs. To me, it's irrelevant, which I think is really shocking to people in the industry that I'm in, because it's like, "You should always look good", but I honestly don't care. It's not important to me.
My label can mold me into whatever they want me to be. Even with my own style of music, it's pretty much universal. Anybody can listen to it and find something that they like on it. I never really got pressured to be a certain way.
For us, being a label, we took out the whole aspect of the business that goes into sifting through people who don't care, who don't get what you're trying to do. We can just hire and work with people who get it - the people who understand what this project is about. When you're on a label, you're just hoping somebody will stick their neck out and work for you. Most bands are just like, "I hope they do it. I hope they promote it." But being a label, we know exactly what's happening.
You go to a studio with a guitar, people are like, 'Oh this girl's going to write this song on a guitar.' Or wants to, or whatever. You go with a ukulele, people are just like 'Eh, well, whatever.' They don't really care. It's a very non-threatening kind of instrument.
Mom+Pop aren't just a label, but they were the group of people that seemed to really care about a long-term relationship. I can be honest with them, like I would with my family, but at the same time, I can expect for them always to be upfront and honest with me.
I'd be a liar if I said I didn't care what people think, but I would rather have less people who like or approve of me for who I really am than a bunch more people who like or approve me for what I'm not.
For some reason which I have failed to understand, many people like the system [scientific totalitarianism] when it is Russian but disliked the very same system when it was German. I am compelled to think that this is due to the power of labels; these people like whatever is labelled ‘Left’ without examining whether the label has any justification.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
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