A Quote by Aesop Rock
Having some decent musicians around you only expands what you can do production-wise, but I make rap - I can't really see myself doing much else.
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My identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.
I don't really like listening to so much rap because I like to have my mind focused on what I'm doing instead of worrying about what everybody else is doing.
Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.
I would say that the evocative qualities of music are usually put there in post-production in the reverb. It's really not much about the musicians as the engineering. It's post-production that's being done by the musician at the time.
I like them all - I don't always approve. I see myself as a sort of benevolent uncle to these characters, and I can see why they do what they do; sometimes they make some mistakes, but at heart I think they're decent.
I can't stress too much how much Ry Cooder was an influence on me. Having one of the most respected musicians around like my singing really gave me the confidence to do it.
If I could make a decent living doing documentaries, I would. I don't really care about [the other] stuff so much. But you can't make a living doing documentaries. Although it has affected my work, at least in that I think I make fairly realistic-looking pictures.
Everything that’s out now…rap wise and music wise in general [is whack]. I mean, you know whack when you see it. So I’m on a crusade against whackness, and I hope no whackness comes my way. That’s my move, my mission for this record: to combat whackness on all fronts – to make sure that people know what quality music is. It’s not so much about message, but have something to say.
I don't see myself doing any comedies. I like comedies as much as anyone else; I just don't really have a desire to do them.
If women dabble in rap but they're not rappers, to get from dabbling to doing it is really difficult, confidence-wise.
Primarily I see myself as so much more than a rapper. I really believe I am the voice for a lot of people who don't have that microphone or who can't rap.
Production-wise, I've always stuck with Ableton Live and there's really no reason to switch to something else at this point.
Don't compare yourself with anyone else. The world is full of runners, so you'll probably see one every time you circle the block or your favorite park. Some will be thinner than you, some smoother-striding, some faster. But don't let this get you down. There's only one runner who really counts: you. Running is your activity. Make it work for you, and don't worry about anyone else.
If I'm going to be the best in what I do, I have to study what I'm doing, I have to see what I'm doing. I have to see it, I have to hear it. I'm just starting to appreciate myself - not starting, but appreciating myself in a way where I can look at myself back in a movie or listen to myself as much as I do now.
Rap has so many possibilities that need to be explored. There are different factions of rap, but some are in a rut. Rap doesn't have to be about boosting egos and grabbing your crotch and dissing women. There's a way to make political and social issues interesting and entertaining to the young rap audience.
I might be more satisfied seeing my friends really come up than myself. I'm really happy for my success, but I can't really see it, because I'm myself working. You can see it; everyone around me can see it.
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