A Quote by Aesop Rock
The neighbors prefer I don't do vocals at night. It gets a little iffy when I'm screaming.
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My son is in a band, and he’s a singer, and his vocals … they’re screaming-growling stuff … and he’s got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I’m, like, “Hats off to you.”
My son is in a band, and he's a singer, and his vocals... they're screaming-growling stuff... and he's got a pretty reasonable voice. Yet he practices really hard to get the screaming-growling thing without losing that voice every five minutes. So I'm, like, 'Hats off to you.'
I actually prefer night shoots to days. I prefer being up. It's easier for me. I'm more of a night person.
When I was managing Boyzone and Westlife there were screaming girls every night. If there wasn't a high-piched screaming, it was a bad gig. I got used to it.
After 10 years, I have been touring for 20, playing basically the same type of music, a four-piece or three-piece type of music with loud, crashing drums and screaming vocals. It gets to the point where you're looking for something new, and you don't want to do something that's way too left-field, for fear that it might seem contrived.
Night terrors are in deep sleep, and they're more common in kids, as are nightmares, but what happens in a night terror is like a flash - we think a flash of some image or something happens in the brain. We don't really quite know what. And it usually ends up with the child screaming almost like screaming bloody murder. It's very scary for the parents or whoever else is around.
I don't think my vocals demand effects. I like reverb to a certain extent, but I don't want to hide my voice. I like stripped-down vocals, but I also like crazy, powerful, doubled vocals like in dance or electronic music.
I do most of my vocals - aside from a couple of little one-shot vocal samples. I record everything into the Saffire with an SM58 then scratch it with loads of plug-ins. I don't do much vocoding to be honest. All my vocals are usually done with Melodyne and a ton of other plug-ins to make it sound weird.
It's really cool to see people show up at the shows night after night, and they're screaming the words of the song.
Everything I'd taught myself about screaming is basically a big no-no for singing. Your posture, your airflow - you're just pushing all the air out. When you start out, you're fast, heavy and loud but you're hiding behind it in a way. When you stop screaming, that's when it gets hard.
Our relationship is very good. When Ibra gets annoyed, I prefer not to reply because I know how he can react. I prefer to calmly count to ten.
I guess I'm not really into female vocals that sound masculine, I guess. A lot of times, the heavy female vocalists always end up sounding like they're screaming or whatever.
When she took her opposite place in the carriage corner, the brightness in her face was so charming to behold, that on her exclaiming, "What beautiful stars and what a glorious night!" the Secretary said "Yes," but seemed to prefer to see the night and the stars in the light of her lovely little countenance, to looking out of window.
I've got to give my neighbors a bottle of wine or something because I was just screaming into microphones and learning how to play instruments, and it was a lesson in patience for them, I believe.
A lot of 'Stranger Things' is having to be able to, in your mind, turn a little tennis ball into a huge monster. In Season 2, there was one scene where I was screaming at the monster and I was screaming at nothing. It was just the sky. So I really have a big imagination, I guess?
Human beings may hate a distant enemy in theory, but they generally prefer to kill their neighbors.
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