A Quote by Aesop Rock

I guess all that I can hope for is that my songs affect the younger versions of me out there. — © Aesop Rock
I guess all that I can hope for is that my songs affect the younger versions of me out there.
I don't write songs that don't affect me on some level, because I figure if I am not moved by it, if its not something that I have a longing to celebrate or to be reminded of, if it doesn't affect me, then how can I possibly think it is going to affect somebody else. My touchstone is write something that matters.
Don't be afraid of growing up and changing and getting used to these newer versions of yourself and becoming more comfortable sharing those versions of yourself with the people in your life, even people who knew you when you were younger.
I can listen to the same song back-to-back for two to three hours straight. I'm not psycho; I swear. There are some songs I won't listen to any more because they are songs that helped me get to emotional places. Even if I hear it, I'll have to walk out of the room or turn it down. It sounds so strange but those things affect me in a certain way.
When I was younger, every time I stopped work and had a holiday, I'd break out in a rash. A dermatologist put it down to stress, but it never seemed to affect me when I was busy.
We, as a band, are going to try to do a remix pack for some of our latest songs and do as much as we can. Every single that we release gets that. That's the thing that we enjoy. You meet a lot of talented producers and DJs, you revisit friends and ask them if they want to do a remix, that's one of the beauties in it right now: hearing different versions of our versions and just being able to put those out, as well.
I had an all-Fear of Music iPod, just versions of the 11 songs from the record. No other songs allowed.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
I don't really think much of any songs I put out like I know... I think they're good, that's why I'm putting them out. But like I don't ever try to expect anything, so even with 'Caroline' or 'Red Mercedes,' I just put them out and hope for the best and people kind of gravitate towards them and I guess that's pretty cool and that's a blessing.
Many of my fans often tell me that they listen to my songs to get through things. And therefore, obviously, I hope that they can picture being in a place where things are better... I hope my songs can bring people to a calm place.
It will affect me in ways I can't even begin to get my mind around. This day is a dark crater. There is no room for songs. The songs are wrong. Every song is wrong. And I don't know what to do without music.
I would not be at all surprised to find out . . . that the dimensions of buildings affect us in ways we don't guess.
I would not be at all surprised to find out... that the dimensions of buildings affect us in ways we don't guess.
I think one of the best things you can do is write really sad songs that touch some semblance of... I guess 'hope' is the right word?
You can de-select the songs that you don't want to have on the record, but I hope we always put something out that has a lot of songs that the majority of people will love.
I have learned that music helps a lot of people survive, and they want songs that can give them something - I guess you could call it hope.
If it can affect me, if it has meaning to me, if I feel I can do it well, I will do it and record it and thats why I recorded these songs.
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